Wiring everything up

Building the creative space is entering it’s final stages. I have set some of my equipment up and after some back and forth I have decided on a semi permanent set up.

What I am working on at the moment is wiring everything up as nice as possible. Which is a bit of a laborious task. And while I like tinkering, wiring is not one of my favorite things to do. Considering incorporating a patchbay into it all for flexibility. But getting my head around how I want it is not that easy. 

The best way for me is if I can use everything in Ableton at route it however I want it. But that needs some figuring out. To be continued. 

That was most of my week, however I have been doing some manual reading as well, mainly my beloved Machinedrum, which I need to dive into some more. I really love all the Elektron machines and I have some part of the sequencer in my head, there is still lots out there with triggers, LFO’s and all sorts. 

Simply reading the manual is a bit of a dry exercise but I hope some of it sticks. 
That was pretty much all I have done this week. I hope to finish the work on the studio before the end of this year and I can start sharing some music next year.

Shaping the creative space

This last week has been all about shaping the new creative space. Lot’s of cleaning up as well. I am trying to keep it as minimal as possible for now. To see how the space can be used and add to it while using it. Yesterday was the first day when I worked in the space and I liked it a lot.

Still some decorating to do, and some installation of stuff but it already feels good. It’s a very good space just to be in. All the important books, from inspirational books through manuals and technical books are sorted and the important ones are within easy reach.

I will keep the desk clean, and my instruments on and in a stand or cupboard, yet to be decided. So I can focus more easily and not get too distracted all the time.

That’s pretty much all I did, but I did some patching in Max again, which is becoming a staple activity every week, I hope I will get sufficient enough so I can work on systems in Max and generate ideas for music from that. Which I can later develop further in Ableton. I have also had a bit of a clean up and found some old and redundant stuff others might find useful. So I am trying to find people who can use it. 

A pretty short blog this week, not much on the music side of things and lots at the same time, as a nice space to be creative in is very important. 

Creative space, progress and Max MSP 9

It’s been a few weeks since my last blog, been recovering from my marathon and had a pretty busy schedule where music making and learning about music took a bit of a backseat.

The creative space is almost done, unfortunately delivery of some parts has been delayed so the finishing touches can’t be completed. Hopefully at the end of next week we will be finished and I can start furnishing the space. Which is about time as I am done getting everything out of storage and setting up everything if I want to do something. It’s costing me too much energy and takes the fun out of it.

A little bit of wait but then my working space is there.

Max MSP 9

The new release of Max MSP came as a bit of a surprise to me. I am nowhere near an expert on Max but this update seems like a big step forward, especially in Jitter and the addition af Ableton’s ABL library for DSP, which allows for the direct use of Ableton effects in Max.

Also there is a code box where you can work on code for Gen, javascript and other stuff in Max. I am not there yet as my skillset is lacking bit these additions seem very cool and useful.

It’s a never-ending tool for making musical productions, with visuals, instruments and so on.

Besides all this work on Max, all the learning resources and help stuff has been updated, integrated in max and redesigned on the website. It’s the perfect starting point for anyone wanting to start and learn Max MSP. I have said it before it’s a big learning curve. At least for me, but it’s very rewarding and can be used for anything you can think of. Especially for building your own musical and visual environments and in interaction with hardware in a way that is custom to you.

It is overwhelming at first, by doing it opens up more and more avenues for creativity as you go along. I am looking forward to learning more and diving into this new version.

Some other thoughts

The state of the world is not great at the moment, rising far right autocracy and the devastating effects of global warming are taking a toll on a lot of people. Not to mention the ongoing wars around the globe and the dangers of more conflict looming every day. Sometimes it’s very hard to focus on the things you want to do in life and work on. I have that exact same problem.

But as I am limited severely in energy I need to focus on what I can control and work on. For me meditation works very well. I have mentioned the benefits of meditation more often but this is as good a time as any to talk about it again.

As it brings me right back into the here and now. It’s only 12 minutes a day for 5 days per week. So you can even skip two days, and maintain this for a few months, at first you will not notice the benefits. But after some time and keep the 5 times a week going and you will start to feel a shift. And for me this was a real eye opener.

More about this and about the science behind it in the excellent book Peak mind by Amish Jha

Give it a go and keep at it, see you all next time.

The Max MSP wormhole is a happy place

Getting deeper into Max MSP Is really cool. I am getting better at patching and using the help and other resources such as books in figuring out what I need to achieve my ideas. The biggest win is that I can make notes directly as patches. I am getting more familiar with the names of the objects.

While it takes a lot of time to learn Max, at least for me, it’s a very good way to learn about sound design and synthesis. And I can work on it very consistently, When I can’t listen to music, I can patch, or read and learn. So it’s the biggest constant factor in my musical journey.

It might be a controversial statement, but if you start out with a computer, daw, and Max MSP you have a life long journey. while I love hardware and love playing around with them. If I would start out today I would buy a laptop, a DAW and a MAX MSP license.

After that the biggest investment will be books and resources. At the moment all my hardware is in storage and this is the only thing I have. And the focus is very cool. The possibilities are endless but I have a process where I can minimize my options and focus on a single idea.

I will still install my hardware in my new studio, but I don’t think I will be buying any hardware anymore going forward. I have years of learning and fun with the stuff I have. Even just Max MSP contains a limitless space for developing ideas and making music. Or other art installations.

Now I am confined in the MAX world I am learning pretty fast, and it’s great fun. It also gives a lot of room for interaction with visuals, via jitter, making your own instruments and combine external gear with interfaces and the newly released RNBO, which let’s you export patches to a raspberry pi, the web and others to create stand alone instruments or art installations. All very cool stuff. 

It also gives more room for my original ideas around ever evolving instruments and output to different media. I will share some patches open source in the future. Or maybe I will start by documenting my own learning curve, however not sure if that is of interest to anyone. Lot’s of ideas going through my brain this week. Less is more, it certainly gives me more ideas. Now I need to limit my enthusiasm and focus on small steps. 

Showing up – Plan your path towards your goals

Showing up?

Showing up is half the work, which is half true in itself. Because without a rhythm to your showing up, the act of showing up gets harder and harder.

Bit of a confusing sentence right ? Everything in life moves according to a rhythm , breathing is a rhythm , the sunrise a rhythm, you move in a certain rhythm.

So in order to become good at anything, working on that skill needs a rhythm. And in order for a rhythm to become a rhythm, planning it is necessary. Even for people who hate planning. Mostly it is not the planning people hate. But the showing up. Planning something leaves a lot of room for perceived failure, and that feeling is what you want to avoid. Postponing any activity feels bad. Especially an activity you want to be good at, have a passion for. Dream of doing.

So we don’t plan, and set ourselves up for failure. Not failure in a sense that we are bad at the very thing we want to be good at. But failing because we never got started.

So how do we plan ?

People tend not to plan activities, but cram the day as full as possible, doing as much as possible. And call it planning. That’s the opposite of planning. Planning needs room, breathing room. As a person you will not be at your best all the time. Most of the time, how you feel and how your energy flows depends on a lot of things you can’t control. Cramming your days as full as possible leaves more room for external factors sucking your attention and energy away.

The first step, set one new goal

There is a lot things that can be said for having multiple goals, but as we plan for the first time, in a new way, we forget we already have goals in our life. Maybe not goals defined as goals. But time is being consumed. You have your personal life, work, and maybe already a sport or other physical activity you do. All of these things already have a place in your diary and a rhythm to them.

So think of one new thing you want to master, be good at, improve your skills on. For me that is making music. Which always lingered in the distance and I defined it as a hobby, but never put in a consistent amount of time and work. Yet I loved doing it whenever I got around to it. So think about that one thing. Your passion as it is commonly defined.

Write this  down as your focus point for planning.

The second step, measure your real time consumption.

Keep a diary and measure how long every activity in your agenda really took versus how much you planned for it. And make notes on what kind of taks it was. Household shores are tasks you will have to do. And never plan enough time for. Also make notes of how all activities outside of the obligatory ones contribute to your new goal. Be honest.

You don’t plan the binging of this new series on Netflix or any other subscription thing. Note the hours, also make note of how many hours you spent on social media not doing anything towards your goal.

Make detailed notes, how you feel, if you where happy at the end of the day, how energized you felt at the beginning and at the end. Do all this for 2 weeks.

The third step, deleting activities and compressing time slots.

Now its time to start deleting all those excess activities and limit time spent on things, its ok to wind down with social media, watch some tv at the end of the day. But limit the hours you put into those things.

Household shores need doing, get the notes out and see if you planned these realistically or did they consume more time ? Allocate time appropriatly.
Also, plan ahead, do the groceries with a list you made earlier, plan making the list. And so on.

Delete any activities that drifted you away from your new goal, and are not absolutely necessary. Combining these 3 should make room for spending at least a couple of hours on the new goal. Make sure you plan these new activities at least 3 times a week, in order to get that all important rhythm.

Last but not least, plan leisure time. Grab that book, watch that movie, go hang out with friends, do date night , do nothing. Leave room for doing nothing. Plan rest! Really resting is very important, just sitting or lying down. Doesn’t have to take long.

Plan days or longer with no plans at all, play in those days. Do whatever you feel like. Be a kid again. This is a great way for experimenting without limits and ingraining new paths of thinking into your subconsciousness.

Make sure rest and recovery are done in between the ‘harder’ activities that take up a lot of energy. All tasks with a high level of concentration can only be done for so many hours a day. Science has it marked down to four a day, if you are practiced. I will do a separate blog on focussed work. But don’t overdo it on complicated tasks. Especially in the beginning.

The finish

So we now know what we want to achieve. We have the goal. We measured our activities.  We know the realities of executing all tasks in a week. We downsized on the amount of activities and limited our time we spend per activity.

We booked in time for rest and recharging. So what’s next, make a default planning for the week, set a fixed day for doing the planning for next week, lets say Saturday evening. Execute the planning, and keep a diary om the progress.

Next week I will dive into the structure of planning and how to build up a routine.

The music journey – Making an album (week 28)

I am running behind on my blogs, didn’t have time too scribble about week 28, due to other activities, mostly out of the house. Week 28 has been a week with lots of difficulty showing up. Starting any activities regarding my music ambitions was very hard.

I really value the rhythm I have developed and letting go of that rhythm is hard. It’s the same feeling I get when I can’t run. And that’s not even factoring in the positive effects both have on my wellbeing.

Yet this week has been all about having a hard time getting started with any of the activities I can normally swap between depending on my energy levels. And when I got started I had to give it up pretty fast.

I know its a case of falling down and getting up again, this week however was mostly falling down.

I will write about the previous week at the end of this week, making sure I get some of my Rhythm back.

The music journey – Making an album (week 22)

This week I have been jamming with a small setup and researching how I can get the most out of it. I have also had the recorder running so the tapes are there. I have planned another two weeks ahead with more of these jam sessions. So I am consistently making music. And get my focus back on the main event, making music. Hopefully my brain can keep up with it.

Another topic that I have been working on some more is figuring out the possibilities regarding releasing the music. For me the easiest, well not exactly easy but most comfortable way is to see release it. Getting stuff out there via a few platforms so I don’t get lost and see if I can create a constant schedule in releasing my music. Let’s see how I get on at first, I can always expand later.

Visuals are increasingly important as a way of getting music out there, especially with things like Youtube which are a source of new music for lots of people. In my original plan for my album project I had come up with the idea to integrate Touchdesigner for the visual component. And the fun bit about this is you can connect it to MAX MSP. I am now figuring out how I can incorporate this into my patches and generate a nice visual to go with my music.

A very good week, but I still fall into the pitfall of loosing my focus. As everything is fun and the joy I get out of researching stuff. But I feel I return to my original idea much quicker than I used too. So that’s a win. Now all I need to do is finishing music, and find the confidence to release it.

The music journey – Making an album (week 12)

This week was all about inspiration, I had a coaching session planned and I have been to a festival. And bought myself a musical gift. Even managed to put in a few music making hours as well. A modest but significant succes.

Coaching session

After a few weeks of cognitive problems and a general disfunctional brain this week I planned another session with my coach. It was very good catching up and talking about the creative proces. And what I can do in order to get to finish some music. Limitation being the magic word. Which I thought I had done when setting up the project. But as I got to work with the setup it became obvious that within that setup the options are still almost endless. To get going with a limited framwork we started an Ableton session with a few sounds and now I have to make a composition with just these sounds.

Pretty obvious, but I just could not bring myself to limit the options. I get lost in endless patching without pressing stop on the record button and get on with composition. And with that in mind I got to think about limiting my setup for this project further.

As such that I don’t get overly lost in the possibilities of the larger setup and keep exploring. More often than not I end up just making sounds without any tangible result. Also because my cognitive energy is all gone by the time I start thinking on composition. More on the smaller setup next week. A slight tip of the veil is the gift I bought myself, a Moog Mother-32. A synth voice in Eurorack format. Always wanted a Moog and now I finally got one.

Etmaal festival

Last Saturday I went to the day program of Etmaal festival, absolutely perfect for me, as it is during the day, it wasn’t overly crowded and ample opportunity and space for some recovering in between shows with some food & beverages.

Etmaal had a total of  32 hours and is focussend towards Electronic music with lots of space for performing with modular synthesizers and other unpredictlable musical instruments such as tape loops and so on.  In the night it was more geared towards dancing and during the day more experimental performances.

For me the day kicked off with a performance from Heinbach, who brought a tape machine and various other bits of kit and he changed the tape loops during the show, which for me seemed pretty risky. Very cool and interesting show with lots of beautiful moments coming out of the time & duration of the tape loops. If this was the case or not, perhaps the level of control was bigger, it delivers some very unique and beautiful music and sound timbres.

Time for a spot of lunch and after that it was time for  JakoJako feat. Alvin Collantes. A live performance with a modular synthesizer and a diner. A beautiful symbiotic performance in which the dance seemed controlled by the music. Cool seeing the levels of control a dancer has over their body and execute the movements with such fluidity. The tension on the body is very impressive to watch. The music was great as well. For me the highlight of the day.

A bit of a dash getting in time to the live show by  Rødhad & Vril live, this time not in the theater , but in a club setting. Very good show and for me very nice to see a performance by a duo which music I like too listen too. Very inspirational.

The final show of my day was  Dasha Rush & Schloss Mirabell. Really looking forward to this one, as I love the cello as an instrument and was very curious in the combination with electronics. For me it was the least accessible of the shows I had seen, musically. I couldn’t always keep up, which might have something to do with my mental fatigue at that stage of the day. Some very beautiful moments I got too experience and In other moments I was behind the curve a bit and had difficulty in understanding it (If you get what I mean)

A very cool day indeed and I finally got to see some of my favorite artists, it was a real present being able to go out and experience music again in this way. As most of these things tend to be in the evening or late at night. Hopefully more things appear during the day in such a setting.

The music journey – Making an album (week 11)

Another week flew by, and this week I didn’t do much in the way of working on the musical project that is making the album. My music hours were spent on reading manuals and listening to music. I amassed a fair backlog of music that needs listening or re-listening with focus & attention. I sometimes just listened parts of albums or didn’t really take my time for them. So this week it was all about the Elektron Digitakt & Autechre EPS 1991 -2002.

Elektron Digitakt

The Digitakt has long been on the wish list and I borrowed one for a while to check it out. After my Motu sound card stopped working I went on the search for a small sound card & got the idea to buy the Digitakt instead. It can also be used as a sound card after all. Very handy indeed.

I never dove into the manual as it works pretty intuitive, but after reading and diving into the Machinedrum last week I also started reading the manual for the Digitakt. And I must say, that’s not a bad idea. Especially the bit on the MIDI tracks which I never really use had some nice insights which triggered a lot of ideas for the combination with the modular & sequencing hardware samplers. I haven’t finished reading but I have months worth of ideas too explore.

I never really read any manuals before I got more or less forced into reading them and it’s simply highly recommended, you always learn something and pick up on interesting avenues for exploration.

Autechre EPS 1991 – 2002

I am a big Autechre enthusiast, and I am always trying too complete my collection. So when EPS 1991 – 2002 was released I bought it straight away. But never really listened to it as a whole. Partly because I have some of the EPS’s which are floating around my collection, somewhere. And I don’t have all of them. I have been listening to some of the EPS, but not from start to finish.

The beauty of this collection is you can listen too the development of Autechre’s music trough the years, from the more rave oriented tracks going towards the more abstract work. I really find it very nice how the music despite all the structural shapes retains it’s open and dynamic character. Every time I listen I hear different things or listen in a different way. It really helps sitting down for it and focus on listening. And not just put it on as background music. Although for me it works very well as background music while working. For people just starting out with Autechre and want a nice beginning of a collection this box is an excellent point to begin.

The week

The real work on the album wasn’t for me this week. I did however spent my allocated time for music on music related topics. Working on technical knowledge & inspiration. This keeps the momentum going which is important.

The music journey – Making an album (week 3)

The past week I have focussed on going through the whole proces. My planning consisted of the following parts.

      • Building a patch on my Eurorack synth.
      • Programming sequences for that patch.
      • Recording it.
      • Making samples out of the recording.
      • Making a composition with the sample pack
      • Finishing the track.

As a study and research subject I took scales, tonality and musical notes.

Execution

My planning was pretty clear, now onto what really happend. The patch I partially finished and I started doubting my choices surrounding the layout of modules in my cases. So back to the drawing board and trying to downsize a bit for this project. In order not to get lost and keep patching. Less is more.

After this rebuild I have recorded a small drone and got on with it. I was way out of my planning as a result. So for next week my planning remains roughly the same. Learned a lot though and had a reaffirmation that my framework is solid.

It’s just not that straightforward , it will remain a search to what works and what doesn’t.

And given the limited time I get to spend on this project every planning I don’t meet automatically means a delay. Just as it was the case last week. But that in itself isn’t a real problem. The end result will still be there.

I will keep making (and adjusting) my planning and try sticking with it. It gives a very nice structure to the whole proces , and it has a build in continuity , ever since I started working this way I have been at it every week for that set amount of time. Which in itself is very important.