Lifestyle – Cornerman

Single machine music, learning music tech before the internet.

I used to think the music I listened to came from one machine, mostly a sampler. As the pictures I had seen upon that point mostly consist of producers with one machine, as the technological marvel everything originated from.

A lot of the time this was an Akai S950 or MPC. Then I discovered a book in the library which had interviews in it with all sorts of producers and Dj’s in their studio’s.

This was a real page turner for me and the first time I saw that there was a lot more equipment involved than just one machine. I couldn’t remember the title but some of the artists featured in the book where 808 state, A guy called Gerald and many others.

It was in the very beginning of the acid house explosion in the UK. So it must have been around 1987/88 when the book was released. Searching for it has not been easy and I haven’t found it yet. Tips are very welcome.

Shortly thereafter I found a magazine called Sound on Sound, which was very expensive for me at the time, so I tried reading it in the bookstore and write down as many interesting things as I could.

Another big thing were instrument folders, Which you could read and learn a thing or two about what everything could do. Information was scarce in those days. Some music shops were reluctant to pass out these folders to youngsters like me which obviously couldn’t afford these instruments back then. Others, which had more of an eye for future business, made sure they had enough material to pass out. And indeed my first purchase was with a shop that did.

Important lesson learned, be nice to other people, it’s the best investment you will ever do.

A few years later Future music arrived in the shops. Cheaper than Sound on Sound and more accessible, for me at least. The best thing about Future music where the artist interviews and the pictures. I think I learned a lot from just studying the pictures. A great magazine and one I looked forward to every month. At some point there was even a Dutch version.

Ever since those days I am still reading Future music & sound on sound. This week Future music announced they will stop producing the magazine. Although I had switched to the digital version I always had a subscription and still looked forward to each new issue every month. Just like I did when I was a kid. Call me nostalgic but I like the format, the pictures and the way information comes to you at a slower pace. The online world might suite a lot of people better nowadays and the way information is available is great. But it also has another side, things disappear when people stop hosting them, what if YouTube shuts down and all the tutorials vanish?

The physical form, whether it is a book, a magazine, a record, always ingrains itself differently into the brain. I can’t count the number of times I flipped trough old issues of Future music to find an interview or read something about a technical subject. It’s your personal library which you can organize the way it works for you. With the disappearance of yet another publication this ability to build and maintain my own library is diminished.

Which to me is sad. As it is an invaluable part of how people really learn and internalize things.

Construction takes time and a lot of energy

While the prospect of a nice creative space is very appealing, construction works take a toll on me energy wise. Last week was pretty much a week with a little less construction and a lot of recharging for me. This limited my energy for music making as a whole and thus I didn’t get anything done.

I did however got some fascinating books on music, as I tend to look for inspiration when I can’t really do much else, I discovered that the excellent series, Electronic music and sound design has a English version of the third book in the series. Which I ordered. Whilst a lot of books are available in libraries this isn’t one of them. And it’s very convenient to have these books available at all times, so I bought it. Hopefully it will arrive soon.

As I have mentioned earlier, these books have a lot of knowledge on sound and sound design, so even if you don’t fancy learning Max msp, these books are really great. You can learn everything there is to know about synthesis. Take your time as some bits can get pretty complicated. At least for me. Really looking forward to diving in part 3.

Another book I stumbled upon was on Minimalism about the history and significance of minimal music. This is also on the way. Will write a review on it as soon as I finish reading it.

Books always give me lots of ideas and searching for new books always gives me energy, even when I am really out of energy. So while not much has happend with music this period. This way I feel I als still moving forward.

Interior design, selecting vibes for the creative space

As the work on my new creative space is ongoing, as it happens with building stuff, things happen unexpectedly. So my gear is still in boxes and I am on hold music making wise. I have now spent some time on thinking about the interior design of the space. The focus will be on the vibe, not so much the technical logistics of the space. I am aiming for a table where I can set up gear, or anything I need for a creative process. Whether it be music, writing or drawing.

Making moodboards is fun, and deciding where things need to be and what colors I will have in the space.

As far as music making goes I have postponed it until the construction is over. It takes out to much energy trying to do this while all this is going on.

A short one this week, as not much is going on, on the creative front. I am just dabbling in things at the moment.

See you all next week.

Ongoing construction

This week is all about the construction of my creative space. As this is going on for a week at least, I am not really finding the peace I need to make music. Which is ok, what I am doing is researching studio layouts and acoustics. Which is fun, and acoustics are a world of its own. Maybe this is better suited when I am actually aware of problems in my mixing.

It was fun researching anyway. The layout will be pretty flexible, I am planning a table where I can build setups and use for other creative activities and a fixed workplace where I plan my computer, a controller, sound card and speakers.

There will be a bookcase for all my books, and other items I use for inspiration and studying. And if there is some room left, a couch. We will see.

Max MSP projects, notes and ideas

What I have been is organizing my notes and ideas for Max MSP projects. So far I have only build and expanded a looper project. And making notes on ideas for projects I want to figure out. Learning while doing, as to not get stuck in manuals and books all the time.

I have taken the time to work out some of the concepts into short descriptions of functionality and made lists of the order in which I need to build it. So it makes some sense from the start. The danger with Max MSP is that I start somewhere and end up somewhere which is miles from my original idea. Which in most cases isn’t a bad thing. But whenever I return to a patch to work on it some more, I first need to figure out what I did in the first place.

Working more focussed towards a goal and making sure I document the steps and the patch I will be able to get stuck in every session, without figuring out what is was the patch is supposed to be doing.

Planning for the coming weeks.

The main focus will be finishing and decorating the creative space. After this is all done, I will be able to start and finish projects more easily which I am really looking forward to.

Building a dedicated creative space

Having a space for your creative adventures can be important in maintaining consistency in the process. This past week I have not been doing any actual music making, reading manuals or learning stuff. I have been cleaning out my attic so it can de build into a studio space. Or to more exact, a creative space. As music is not the only creative thing I like to do. Writing, coding & drawing being other creative outlets for me.

Construction will begin shortly and in the end this will be a space where I can put my musical instruments, and other stuff I use to work on my various projects.

Up until now the kitchen table was the place to be, which had a downside that after each session I had to clear everything again. And building stuff up before starting a session.

I can also create specific longer term setups for projects more easily in the new space. I have been thinking about the layout and various other things. But we will see where it ends when all the construction is finished.

Why I need a dedicated space

Lot’s of people can work anywhere. Whether it be on the sofa, at the kitchen table or in any coffee shop in the neighborhood, that is great, but not me.

I need a space where I can go to and everything is available, plugged in and ready to go. It’s easier to start, take breaks and finish things for me that way. It’s also a space which has a lot of stuff in it which gets and keeps me inspired. Like books, art, music and miscellaneous bits.

It also save me the energy I now need to take a few pieces of kit, set it up, have a session and tear it down again. Even just sitting in a custom space and thinking about projects, solutions and take notes is worth having it. It’s a luxury I know. But if you can have even a small dedicated space this will undoubtedly improve your creativity, efficiency and consistency. Just going in for an hour every day is easier when everything is in one place and ready to go.

It’s been a long time coming, so now that it is finally happening I am pretty excited. Next thing will be planning the lay out of the space.

Sampling, an art form.

One of my favorite instruments is a sampler, ever since I watched music documentaries like lola da musica and read magazines with studio pictures in them I was drawn to these magical boxes which could record sound and then be worked into a completely different sound altogether. And make tracks with those sampled sounds.

Sampling is an art form in and of itself, finding samples or making your own as is more common nowadays is a real cool expression of someones insight into music. From the early days of making collages out of existing materials and making it your own with deconstruction and rebuilding out of existing materials has been a legitimate art form. The things you can do with sampling from an artistic perspective are endless. Everyone hears and feels something different and will go into a different direction with the same sample. It’s really intriguing.

Albums like Endtroducing by Dj Shadow is one of the most well known examples of sample based music (all done on an MPC 3000), but most electronic music and hip hop would not exist without samplers. For some reason, and this might be just a collection of nostalgic reasons, music from the late 80’s and early 90’s has some qualities which I attribute to the samplers and more specific the limitations of gear in those days. Maybe it’s the less boxed in way of thinking about genres or simply the case of “If it sounds good, it is good”.

Some of my favorite tunes made possible by sampling, many more can be added but that would make this blog extremely long ;-). So 2 well known examples.

Roger Sanchez – Another change

Dj Shadow – Stem (Cops & Robbers remix)

A lot of these devices are unaffordable these days, things like the Akai MPC 3000 & Emu sp1200, and the Akai S950 are commanding crazy prices. There are some very nice and in my opinion overlooked samplers which can be bought for less money, like the Emu ESI 4000 or the Akai S3000. Even the MPC 2000XL can be found a little bit more affordable. Question is, would you go down the route of these vintage tools or not?

Some cool documentaries

First off some inspiration which could sway you to go the hardware sampling route. Whether that be old school samplers or newer ones. Here is some cool documentary stuff which got me inspired, and still gets me inspired these days. Pretty old stuff from the nineties and some newer things as well.

Rogers Sanchez on making another change

Lola da musica (dutch) Drum & Bass

Lola da music sampling (dutch)

My sampling adventures

At that stage in my life these devices costs more than a couple of months of wages so these were out of reach. Stuff for future dreams.

One of the most intriguing samplers was the MPC, made by Akai. A lot of great music had been made with these. It’s a staple in many studio ever since its inception. What was so great about it, to me, that it was all about beats, rhythms and structures. This had a large pull for me and many years later I bought my first MPC, a 2000XL. By then hardware sampling had fallen to the wayside in favor of sampling with the computer. So this MPC was rather cheap at the time. And I loved it, then it died and I replaced it with another one.

Work & life got in the way and I didn’t have enough time to dedicate to music making so unfortunately I sold it. But it has always held a big place in my inspiration and I always missed it, even just looking at it gave me an urge to make music. The period after these last of the old school samplers died out and all the focus shifted to software in the industry I always looked at it as a missed opportunity. Akai kept developing the MPC’s with mixed success, the MPC-1000 was a nice one, the MPC-4000 was a bit of a miss. Both great machines to be fair. Just overlooked I think.

The last decade has seen the return of hardware sampling in many forms, mostly led by beat oriented devices, such as the Elektron Octratrack, Digitakt, things like the OP-1 (Field), Tracker based stuff like the Polyend, the M8 and so on.

There is a lot to be said for these devices. As you can create whole tracks with just the one device and some sound sources. Which can be as easy as recording stuff on your phone. Looking back at my days with the MPC 2000XL it was time to get a more modern version out of storage, in an effort to further simplify my setup.

Modern MPC’s

The current MPC line up is pretty much a DAW in a box. It’s much more powerful than the old MPC’s which has its downside as you can fall into the wormhole of possibilities just as with a DAW. For me I worked around this by only focussing on sampling sounds from my small Eurorack case and trying to create some grooves with it. Setting limits that way. Nevertheless the MPC one, which I use, is a lot of bang for your buck. Whether it’s a MPC in the classical sense is up for debate. And with the new 3.0 software approaching this debate is pretty heated at the moment.

But I am a firm believer of making a device your own in such a way it fits your workflow and with a machine which has these capabilities this is possible. Might not be for everyone, but there are lot’s of alternatives out there.

I love the new line of MPC’s, especially the one with it’s attractive price point and all the options, it even has CV/gate outs, always a nice feature if you have a modular or any other synth with CV/gate.

My current approach & future ideas.

My workflow is pretty simple, the MPC is there for sampling and editing sounds from the modular, then I make a program filled with the samples from one session. Which gives it an instant coherent sound and vibe, then I make some basic sequences and see what I can get out of it.

All pretty basic, but for now that’s just what I need, for the future the MPC will function as a hub between the MAX map world and the modular, but I haven’t completely worked this out yet.

This was a good week music wise. Hopefully I can continue this week.

Research, into everything, fueling the creative process

Past week has not seen any musical activity, apart from some patches without sound. As I needed a recovery week after a pretty busy week traveling, visiting cities and social interaction. Which always takes a toll on my cognitive energy levels. That is just how it works when you have permanent brain damage.

It’s all worth it, being among friends, family and visiting cool places and soaking in art. All the while trying and stretching my limits a bit. That part of the equation did not go as planned. So this week I had to dial down on some activities like making music in order to recover as quickly as possible.

One of the things I try not to do, is break the chain. Or in other words, I need to stay active in my music making process or creative process on a regular basis. As I have mentioned before, there is no point in going all out for a couple of weeks and then not do anything again for months. That is not how you build habits and get better at anything.

So I have devised a few other activities which I can do and are related to making music and or the creative process in general. One of the things is research.

Applying research to the creative process

What do I mean by research? Well I don’t mean it in the scientific sense. But rather finding books, gear, interesting topics that can spark ideas. This week I have been thinking about design in a broad sense. Architecture, beautifully written code, visuals, and so on.

So I just started out writing some search options, and see where I end up. I love all sorts of mathematical things, most of them go way above my comprehension but there is something beautiful about it. While searching I stumbled upon the book, The nature of code , interesting and added it to my reading list.

While looking around the internet for visuals I found Generative Art. Going further I got into the wormhole of visuals and coding I reconnected with a long term interest in live coding of music, among others there is the coding language Tidal Cycles. Which I watched some video’s on.

Another interesting book on music & coding is Fundamentals of Music Processing.

What do I do with this?

So while we all browse the internet on a daily basis and find cool stuff, it’s hard to do and try everything we see, as there is simply too much. I always get inspired by simple seeing all the stuff people do with all the things out there. And even by just going tru the index of a book I get triggered for new ideas which I can apply to my own set of tools.

It always sparks an idea and an approach which I haven’t thought of or something I can try with my own setup.

I am in no way inclined to start learning something totally new like live coding when I am just getting my head around Max MSP for example. But in all these resources there are pathways you can apply to your own creative process or way of thinking about your workflow. And the most important thing. It keeps my process going even if I don’t have the energy to work on the ‘core’ which is making music.

A new week, learning more Max MSP, Art.

This week I have been learning about Max MSP, especially how to record the audio into Ableton, and work on finishing tracks from within Ableton. This was my small task this week, get sound into Ableton from Max MSP. Using Ableton as a recorder and being able to set some things up within Ableton, like EQ, compression and other bits. I could have just recorded directly onto Harddisk from within Max, but my future system is one where I would like to include Ableton.

The goal of the patch. Record audio from Max into Ableton, 1 track for now but if one works I can easily extend it into 4 or 8, or any other number.

For sound generation I am building a noise source into a simple reverb and a distortion, nothing fancy but just a fun little thing to produce sounds. These are not finished yet, I am miles away from being fluent in Max. It’s really fun however and a never-ending flurry of ideas pops up when coding in Max.

Other things this week, mostly art.

Most of the week I have been absorbing art and traveling, reading books and taking notes. I went to the Kunstmuseum in The Hague, went to see the exhibition “True Colors”, part of the collection of Akzo Nobel, a chemical company which has a department collecting art. A lot of companies do this, as part of their social responsibility programs and to brighten up offices. Luckily we now get to see some of it.

Most of it is modern art and there were a lot of cool pieces on display, recommended. This was after last weekends visit to the NRW-forum in Dusseldorf for die Grosse. Also modern art.

The kunstmuseum is pretty large and they have a lot of Mondriaan as well and they had the exhibition about Mondriaan & de Stijl, the latter being a group of artists, architects and others forming a loosely formed collective discussing the modern arts and writing essays on it, making art and making sure it was published. As per usual the women in the group and close to the group where the driving forces behind the succes. Great to see that they get to be more in the spotlight, well deserved and way too late at the same time.

Everything I have seen lately has led to a large set of ideas, and I just love being in musea, it’s quiet, most of the times, especially during the week. It’s nicely lit. There is beautiful art. What more can you wish for. Not much. A great week all round. Not much music making, but being in the creative process in other ways.

Inspiration, where to get it and making sure you don’t forget it.

Besides the consistency of working on your craft, inspiration is another very important factor. Whatever your craft is, art, music or professions with a creative side to it, inspiration can help a long way in staying active and focussed.
Inspiration is the fuel to keep the consistent process going. For me at least.

It’s just like any other form of training, there will be moments of difficulty, pain and discomfort. It’s all part of growing and sharpening your skills. Balance & rest is important to integrate, as your brain needs time to process and ingrain the result of your constant work. I plan deliberate rest moment, and make sure I plan short visits and trips to cities, exhibitions which I know will spark

This is how I keep my energy levels up and find new energy and ideas for the future.

My week & finding inspiration

This week I have worked mainly on learning Max MSP and I have been going outside in search of inspiration and ideas. Walking around a city and visiting musea does the trick. I try and look at things in detail and allow all sorts of random encounters. Step into buildings I don’t know, visit exhibitions which I want to see or stumble upon. And simply walking round a city and look at loads of things.

But how do I make sure I know what inspired me and why, the feeling I got when watching a piece of art or seeing something cool while walking. I used to rely on my memory and tried and record it once I got home, but I soon realized I could not recall my feelings and what exactly inspired me or what idea a piece of art evoked.

Documenting the inspiration & ideas

I started out taking quick pictures with my phone and a note in my phone for writing down quick short sentences and ideas. Which I then forgot to bundle and be more specific. I worked on documenting the inspiration & a simple template to make it easier to recall the feeling and ideas I had when being struck with inspiration. Without having to scroll trough loads of digital notes and pictures and then try and remember everything.

It’s pretty easy and it’s instinctively applicable for me. It suits my needs very well.

I take pictures, on my phone or camera and mark them if possible, and notate the place, date and title or description of the artwork (if there was an artwork) or other object so I can find the related pictures. I add a few keywords that give a good description of what the inspiration was. I stick to 4 keywords. Which helps when I search for things later on.

I write a short story about the moment, the inspiration and the surroundings. If I have an idea on the spot or later on I also make sure to write it in my notes.

As a template this would look like this:

- Date
- Time
- Place
- Title
- Title of the artwork (if there is any)
- Pictures
- keywords
- Short Story
- Idea it sparked (if any)

I prefer writing in a notebook, and I use notebooks where I can easily add page numbers and so on, I also give my notebooks a number and a name.

for searching into these notes I notate the keywords, the notebook number, and the page numbers into a simple excel sheet. So I can always find the ideas.

Why is it important to me? Well it’s a big part of playing around and putting myself into situations and places which can spark any form of inspiration and ideas. Which leads to a backlog of things I can develop further. There is no pressure when simply walking around and looking at things. It also develops my knowledge of art and architecture in a simple and effortless way. It’s a way to take a brake without breaking the creative consistency when I can’t work on my skills or need a break. It’s an alternative way to be creative without the sole focus on music.

It’s also important to make it a habit, getting outside and reconnect with art and life which for me, is the energy for my creative process. In my process there is always room for finding inspiration, this doesn’t have to mean I go outside, it can also mean just picking up an art book, reading a biography or flicking trough photo books. But I prefer going outside.

By making this a fixture in my creative process I keep engaged with the outside world and have an alternative whenever I can’t work on music specifically. This way I keep working on my creative process and keep the consistency going.

First week with the small setup & new process focussed mindset

Working with my small setup has advantages, After spending a week working with it on a consistent basis. It’s easier to get going and I am far less distracted. My first idea was to work on a patch for a few days, then record loops and then finish a track, all within a week and build a catalog of work that way.

This timeline was a bit over enthusiastic, as I am with a lot of my planning. But given the focus and shift from goals towards the process of working on my skills, I am still happy with my progress this week.

I have also build in a learning and education bit into the process. So I am studying Max MSP again. Which is great fun and pretty difficult. But it’s very promising as I have tons of ideas already for merging Eurorack with Max MSP and building a set of tools for it.

I need to focus on the proces first. And not jump on and trying to get all these ideas out as fast as possible. I have to leave the pressure out of the equation.

I do pencil my ideas down in my notebooks, and work on them by working them out in the notebooks. So I keep working on ideas while doing the work. It easy to dream away and imagine great goals ahead and try to reach them as fast as possible and burn yourself out. It’s hard to focus on the small incremental gains and work on your skillset. At least for me.

Showing up is half the work, or battle. But it’s hard and not easy at all. At least for me. Just twiddling knobs and enjoying the hobby is nice, but doesn’t get me towards my goals. There is playtime reserved into the process, don’t worry there is fun to be had. But I also need to choose the harder path. In the end it will be more fore filling and rewarding.

Let’s see what this week brings.