learning – Cornerman

The Max MSP wormhole is a happy place

Getting deeper into Max MSP Is really cool. I am getting better at patching and using the help and other resources such as books in figuring out what I need to achieve my ideas. The biggest win is that I can make notes directly as patches. I am getting more familiar with the names of the objects.

While it takes a lot of time to learn Max, at least for me, it’s a very good way to learn about sound design and synthesis. And I can work on it very consistently, When I can’t listen to music, I can patch, or read and learn. So it’s the biggest constant factor in my musical journey.

It might be a controversial statement, but if you start out with a computer, daw, and Max MSP you have a life long journey. while I love hardware and love playing around with them. If I would start out today I would buy a laptop, a DAW and a MAX MSP license.

After that the biggest investment will be books and resources. At the moment all my hardware is in storage and this is the only thing I have. And the focus is very cool. The possibilities are endless but I have a process where I can minimize my options and focus on a single idea.

I will still install my hardware in my new studio, but I don’t think I will be buying any hardware anymore going forward. I have years of learning and fun with the stuff I have. Even just Max MSP contains a limitless space for developing ideas and making music. Or other art installations.

Now I am confined in the MAX world I am learning pretty fast, and it’s great fun. It also gives a lot of room for interaction with visuals, via jitter, making your own instruments and combine external gear with interfaces and the newly released RNBO, which let’s you export patches to a raspberry pi, the web and others to create stand alone instruments or art installations. All very cool stuff.

It also gives more room for my original ideas around ever evolving instruments and output to different media. I will share some patches open source in the future. Or maybe I will start by documenting my own learning curve, however not sure if that is of interest to anyone. Lot’s of ideas going through my brain this week. Less is more, it certainly gives me more ideas. Now I need to limit my enthusiasm and focus on small steps.

Single machine music, learning music tech before the internet.

I used to think the music I listened to came from one machine, mostly a sampler. As the pictures I had seen upon that point mostly consist of producers with one machine, as the technological marvel everything originated from.

A lot of the time this was an Akai S950 or MPC. Then I discovered a book in the library which had interviews in it with all sorts of producers and Dj’s in their studio’s.

This was a real page turner for me and the first time I saw that there was a lot more equipment involved than just one machine. I couldn’t remember the title but some of the artists featured in the book where 808 state, A guy called Gerald and many others.

It was in the very beginning of the acid house explosion in the UK. So it must have been around 1987/88 when the book was released. Searching for it has not been easy and I haven’t found it yet. Tips are very welcome.

Shortly thereafter I found a magazine called Sound on Sound, which was very expensive for me at the time, so I tried reading it in the bookstore and write down as many interesting things as I could.

Another big thing were instrument folders, Which you could read and learn a thing or two about what everything could do. Information was scarce in those days. Some music shops were reluctant to pass out these folders to youngsters like me which obviously couldn’t afford these instruments back then. Others, which had more of an eye for future business, made sure they had enough material to pass out. And indeed my first purchase was with a shop that did.

Important lesson learned, be nice to other people, it’s the best investment you will ever do.

A few years later Future music arrived in the shops. Cheaper than Sound on Sound and more accessible, for me at least. The best thing about Future music where the artist interviews and the pictures. I think I learned a lot from just studying the pictures. A great magazine and one I looked forward to every month. At some point there was even a Dutch version.

Ever since those days I am still reading Future music & sound on sound. This week Future music announced they will stop producing the magazine. Although I had switched to the digital version I always had a subscription and still looked forward to each new issue every month. Just like I did when I was a kid. Call me nostalgic but I like the format, the pictures and the way information comes to you at a slower pace. The online world might suite a lot of people better nowadays and the way information is available is great. But it also has another side, things disappear when people stop hosting them, what if YouTube shuts down and all the tutorials vanish?

The physical form, whether it is a book, a magazine, a record, always ingrains itself differently into the brain. I can’t count the number of times I flipped trough old issues of Future music to find an interview or read something about a technical subject. It’s your personal library which you can organize the way it works for you. With the disappearance of yet another publication this ability to build and maintain my own library is diminished.

Which to me is sad. As it is an invaluable part of how people really learn and internalize things.

Ongoing construction

This week is all about the construction of my creative space. As this is going on for a week at least, I am not really finding the peace I need to make music. Which is ok, what I am doing is researching studio layouts and acoustics. Which is fun, and acoustics are a world of its own. Maybe this is better suited when I am actually aware of problems in my mixing.

It was fun researching anyway. The layout will be pretty flexible, I am planning a table where I can build setups and use for other creative activities and a fixed workplace where I plan my computer, a controller, sound card and speakers.

There will be a bookcase for all my books, and other items I use for inspiration and studying. And if there is some room left, a couch. We will see.

Max MSP projects, notes and ideas

What I have been is organizing my notes and ideas for Max MSP projects. So far I have only build and expanded a looper project. And making notes on ideas for projects I want to figure out. Learning while doing, as to not get stuck in manuals and books all the time.

I have taken the time to work out some of the concepts into short descriptions of functionality and made lists of the order in which I need to build it. So it makes some sense from the start. The danger with Max MSP is that I start somewhere and end up somewhere which is miles from my original idea. Which in most cases isn’t a bad thing. But whenever I return to a patch to work on it some more, I first need to figure out what I did in the first place.

Working more focussed towards a goal and making sure I document the steps and the patch I will be able to get stuck in every session, without figuring out what is was the patch is supposed to be doing.

Planning for the coming weeks.

The main focus will be finishing and decorating the creative space. After this is all done, I will be able to start and finish projects more easily which I am really looking forward to.

The music journey – Making an album (week 22)

This week I have been jamming with a small setup and researching how I can get the most out of it. I have also had the recorder running so the tapes are there. I have planned another two weeks ahead with more of these jam sessions. So I am consistently making music. And get my focus back on the main event, making music. Hopefully my brain can keep up with it.

Another topic that I have been working on some more is figuring out the possibilities regarding releasing the music. For me the easiest, well not exactly easy but most comfortable way is to see release it. Getting stuff out there via a few platforms so I don’t get lost and see if I can create a constant schedule in releasing my music. Let’s see how I get on at first, I can always expand later.

Visuals are increasingly important as a way of getting music out there, especially with things like Youtube which are a source of new music for lots of people. In my original plan for my album project I had come up with the idea to integrate Touchdesigner for the visual component. And the fun bit about this is you can connect it to MAX MSP. I am now figuring out how I can incorporate this into my patches and generate a nice visual to go with my music.

A very good week, but I still fall into the pitfall of loosing my focus. As everything is fun and the joy I get out of researching stuff. But I feel I return to my original idea much quicker than I used too. So that’s a win. Now all I need to do is finishing music, and find the confidence to release it.

The music journey – Making an album (week 16)

This week has seen the absence of making music. Lot’s of other things happened and I didn’t make my planned hours on music things. Up until now I mostly was able to fill my planned hours, if not with making music it would be with reading, thinking about ideas or studying music related topics.

This week has seen an hour worth of fiddling around with my Moog. Which is ok, it also solidified the importance of creating a habit. I missed it this week. Not only missed it as a fun thing but it starts to feel as an integral part of who I am.

It’s just like anything important to you in life, you need to form habits. Creativity doesn’t come on it’s own. It’s a process, learning the equipment, learning how to implement ideas and how to manage your projects is just like any other craft. It needs hours invested.

And while I was grossly over estimating my speed of working at the beginning of this adventure and my album making project will last far beyond my initial timeline the most important thing has happend. It’s becoming a habit.

Just like my running is a habit, meditation and yoga are a habit. That didn’t happen overnight, it took time. And if it’s falling to the sideline it’s easier to get going again. Because life happens, things don’t work out as planned. That’s ok, the important bit is that you get back into the groove.

The music journey – Making an album (week 15)

The move to a minimal setup continuous, spend this week with the Moog Mother-32 and the Digitakt. Haven’t recorded anything remotely resembling a song but have been learning these 2 machines a bit better. It’s really funny how my initial idea of minimal was way to big. And now this setup has defined minimal for me again.

In a related way I have started looking at the album project. Which will remain intact. But lacked a sufficient foundation in skills. Coincidently I have been setting up a project at work which needed a solid dive back into the books, mainly the theories on design. From the broader aspect of design down, via design principles down to the day to day design decisions we all need to make.

In order to get that project going I need to build a basic model of all functions in that system, in such a way that it runs from the start. So a lot of effort is going into making the framework and the proces design. The detail will fill itself in later.

This got me thinking on my own proces in making this album, It lacks the correct framework, the basic design idea & concept are there but the music making framework isn’t working yet. I can’t get ideas out of my head fast enough. Especially considering the limited time I can spent with full cognitive functions on making music.

So the focus needs to be on getting to know the tools a lot better and get it to such a level I can get ideas out very fast. So that’s going to be the goal for the next few weeks (al least).

The music journey – Making an album (week 14)

A bit late, forgot about updating this week completely. Another week has gone by pretty fast even this week has flown by as I am writing this while I should be writing about week 15 which is on its way. Anyway all is well and I have mostly spend my time with just one machine the Moog Mother-32.

Which is an awesome machine, instant fun and patchable as well, so it scratches that modular itch. Besides this machine I have been investing some more time in the Digitakt. Which I find very, very useful. I am in the process of making specific sample packs from my own recordings tailored towards use with the Digitakt.

It’s all about optimizing my workflow. And while practicing with single machines I tend to get ideas which would work for me in creating that effective and part elusive workflow.

So it’s been a good week, the amount of time spent on music wasn’t large but it was very focused and useful. As part of my day job I spent a lot of time in books and learning about designing systems. I am now reading a book which has nice quotes at the start of every chapter. This one is applicable on all creative professions (and pretty much everything in life to be fair).

“We should be taught not to wait for inspiration start a thing. Action always generates inspiration. Inspiration seldom generates action.” – Frank Tibolt

Which is very true, by consistently working on something, ideas just generate sort of automatically.

I have also been listening to the new Album Spine by SØS Gunver Ryberg. Which is a beautiful one with very cool sound design and it sounds amazing. Go check it out if you didn’t already , here is the bandcamp page.

That is all for this week, hope to see you all next week !

The music journey – Making an album (week 13)

This week marks the return to making music. With a smaller setup consisting of a mono-synth, a drummachine and some effects. And Ableton Live. That’s it. The complete Eurorack system, however cool , just has too many options. I keep playing and adding stuff to a patch and don’t have enough time and energy to produce anything with the results.

I still use the eurorack, but limited the amount of modules. My choice for synth is the Moog Mother-32, a good sounding and versatile synth in itself. The effects are a Noise engineering distortion, Make Noise Morphagene & Eventide Starlab. Dor drums there is the Elektron Machinedrum. Which I am working on and still reading the manual.

The sessions with this setup give a peace of mind and focus when it comes to making choices.

The second thing this week was a homework assignment from my music coach. Working on the arrangement of a piece of music we made samples for in our previous session. And here I also struggle with choices and I have a hard time making decisions. Setting limits here also helps a lot. Coming week I will thinker some more with this song.

The week was a succes and the choice for less gear one which will benefit me going forward. I can now work on stuff with a brand new focus.

The music journey – Making an album (week 12)

This week was all about inspiration, I had a coaching session planned and I have been to a festival. And bought myself a musical gift. Even managed to put in a few music making hours as well. A modest but significant succes.

Coaching session

After a few weeks of cognitive problems and a general disfunctional brain this week I planned another session with my coach. It was very good catching up and talking about the creative proces. And what I can do in order to get to finish some music. Limitation being the magic word. Which I thought I had done when setting up the project. But as I got to work with the setup it became obvious that within that setup the options are still almost endless. To get going with a limited framwork we started an Ableton session with a few sounds and now I have to make a composition with just these sounds.

Pretty obvious, but I just could not bring myself to limit the options. I get lost in endless patching without pressing stop on the record button and get on with composition. And with that in mind I got to think about limiting my setup for this project further.

As such that I don’t get overly lost in the possibilities of the larger setup and keep exploring. More often than not I end up just making sounds without any tangible result. Also because my cognitive energy is all gone by the time I start thinking on composition. More on the smaller setup next week. A slight tip of the veil is the gift I bought myself, a Moog Mother-32. A synth voice in Eurorack format. Always wanted a Moog and now I finally got one.

Etmaal festival

Last Saturday I went to the day program of Etmaal festival, absolutely perfect for me, as it is during the day, it wasn’t overly crowded and ample opportunity and space for some recovering in between shows with some food & beverages.

Etmaal had a total of 32 hours and is focussend towards Electronic music with lots of space for performing with modular synthesizers and other unpredictlable musical instruments such as tape loops and so on. In the night it was more geared towards dancing and during the day more experimental performances.

For me the day kicked off with a performance from Heinbach, who brought a tape machine and various other bits of kit and he changed the tape loops during the show, which for me seemed pretty risky. Very cool and interesting show with lots of beautiful moments coming out of the time & duration of the tape loops. If this was the case or not, perhaps the level of control was bigger, it delivers some very unique and beautiful music and sound timbres.

Time for a spot of lunch and after that it was time for JakoJako feat. Alvin Collantes. A live performance with a modular synthesizer and a diner. A beautiful symbiotic performance in which the dance seemed controlled by the music. Cool seeing the levels of control a dancer has over their body and execute the movements with such fluidity. The tension on the body is very impressive to watch. The music was great as well. For me the highlight of the day.

A bit of a dash getting in time to the live show by Rødhad & Vril live, this time not in the theater , but in a club setting. Very good show and for me very nice to see a performance by a duo which music I like too listen too. Very inspirational.

The final show of my day was Dasha Rush & Schloss Mirabell. Really looking forward to this one, as I love the cello as an instrument and was very curious in the combination with electronics. For me it was the least accessible of the shows I had seen, musically. I couldn’t always keep up, which might have something to do with my mental fatigue at that stage of the day. Some very beautiful moments I got too experience and In other moments I was behind the curve a bit and had difficulty in understanding it (If you get what I mean)

A very cool day indeed and I finally got to see some of my favorite artists, it was a real present being able to go out and experience music again in this way. As most of these things tend to be in the evening or late at night. Hopefully more things appear during the day in such a setting.

The music journey – Making an album (week 10)

This week has seen the continuation towards the slow return into making sound. In order to keep things simple and easy, I focussed my attention on one instrument. The Elektron Machinedrum. Which I have had for many years but never really dove into. It’s one of those machines that is a bit underrated in my opinion. Lot’s of people seem to get a bit overwhelmed with the workflow. And I must admit I had the same years ago when I bought it.

In light of my new way of doing things it felt right simply starting over with the Machinedrum from scratch. So I spent most of my time with the manual and YouTube learning the machine again. Which I must admit will stretch out in the weeks to come.

At first it’s still a bit daunting but once I got over the initial hurdle I got more into it (again). For me it’s a classic. But I need too point out I can’t use it as I did before, just going to it in periods. I need to really get stuck into this machine a little longer.

I am sure a lot will come out of the effort I am putting into the Machinedrum. If by any change you can get your hands on one, do it. It maybe a bit of a learning curve but it will pay off. It’s a very cool drummachine.

I have decided to stick it into my album setup. So it will be the main source of my drums in the project.

Learning the Machinedrum

I have a few starting points if you want to start learning the Machinedrum, first of all I need too point out the excellent Youtube series produced by Elektron when it came out, with MrDataline. Mr Dataline Machinedrum Tutorial part 1.

Just follow the whole series. Another great video on the Machinedrum is by Blush Response. Blush Response Elekron Machinedrum. Which is more on the industrial side sound wise in the video. But it gives a very good overview on the capabilities.

And just reading the manual with a nice cup of tea will get you there as well. There is also an alternative firmware which you can find here. I have not yet checked it out. But I might do that in the future.

Autechre has used the Machinedrum & Monomachine in their music and and some point shared the syses files. Information in this thread on the Elektronauts forum.

Recapping the week

All in all a nice week spent learning the Machinedrum, a bit of a mixed week in ways of progress on the album, but simply sitting with one machine and diving in has been really good. It opens up thinking creatively in another way and once you get more in-depth the ideas go further as well. Which is good for the overall project. It’s been a good week. On to the next.