proces – Cornerman

Simple creative tasks, consistent.

Last week In talked about simplifying my setup and designing a proces to be more consistent. This article is more about the proces and why it works. While I am learning to use my music gear I have also set some small tasks to keep things interesting and work on finishing stuff. I do well when I set goals for myself. My biggest flaw in setting these goals in making them way too big. Where my goals far outstripped my skillset.

So I have decided to simplify my goals, or rather just make tasks out of them. so for each week I have set the following goals. With my simple set-up, I will try and finish these tasks every week. You can’t really call the results tracks maybe, but I will try my best to keep it as interesting as possible. within the parameters I have set for myself.

The main goal is learning to be fluent with my simple setup and be able to work on ideas at a faster pace. Science shows that in order to keep yourself engaged the things you need to do to make progress is to have a difficulty sweet spot. If something is too easy, you will disengage. If it’s too hard, you will also disengage. It’s human nature. There is a side note to this, more on that later.

Creating habits is all about doing something consistently and keep doing it. To be better at making music, I need to be making music. Taking into account it should not be too easy or too hard my tasks should be just about doable.

So I will learn and keep having fun and feel excited. Everyone has big goals, but if it’s way too hard we can’t form the habits necessary for achieving them. Last week an already shared some idea around a set of steps to achieve this.

Here is my slightly refined taks list.

1. Create a patch on my small eurorack setup
2. Record loops while playing the patch
3. Take a maximum of 8 loops in the Ableton template.
4. Arrange and finish the recordings.
5. Publish the results.

By sharing them I have also set a nice little reminder for myself to publish things consistently, so people can give me feedback and get over my fear of sharing my musical experiments.

The side note is that every process has boring parts that are necessary to get better. So this means we also need some tolerance for boredom. So if something gets boring at any stage, we tend to go and look for something exciting and new.

The key difference in being successful in getting better at your skill and creating habits is that you embrace the boredom which ultimately creeps into everything. Some stuff just needs doing. No matter what. It’s all part of the process. People who succeed in showing up when feeling bored, or tired or any state that doesn’t fill you with enthusiasm to go to work, people who still show up, succeed.

It’s a bit of a balancing act, creating habits and paving the way towards your goal and being able to consistently work on your goals. The mantra “Don’t break the chain” is a simple way to remind yourself to stick to the plan. If you don’t feel like doing music, go to the gym or any other task you planned. Just remind yourself and repeat this mantra a few times to yourself. It will help to reaffirm your commitment to the proces, and the habit you are developing and maintaining.

Last but not least, we also need to evaluate, learn and make things a bit harder again at some point. So we can work on improvement with some new challenges.

Consistency has helped me with achieving other goals in life, so now it’s time to make it work for my musical journey.

Consistency is key, don’t keep focussing on goals.

Music making is an art, and behind any great art there is a lot of skill. So instead of focussing on the art and my goals I have to focus on developing my skills. Whether it be mastering an instrument of choice or knowing how to operate any part of the music making process.

Having goal is something I need, and while I am excellent at making a plan and working towards this goal, my lack of focus on my musical skillsets has set me back in achieving these goals.

I forgot how important it is to be fluent at something. I have always compared my music making process with developing solutions, whether it be in software or writing a proposal or technical design for something.

All the while forgetting the amount of time spent doing it and improving my skills by simply doing it. Not having any big goals. When I started out learning how to program, I just spent hours trying to get something to work. At some point writing becomes second nature and when you have come up with the solution to a problem. Writing about the solution and creating the end product become much easier.

Most of the time spent isn’t learning a language, but finding the right path towards a solution.

My music making process should be the same, I have an idea and figure out which of the tools I need, or just fire up some instruments and simply start writing anything. And see what comes out of it. Which I do for fun as well with programming or anything else. Just doing it to get something going.

The problem I face with my musical endeavors is that I don’t nearly have as much hours of doing music as I have done with any of my other skills.

So it’s time to start and simply work on learning the skill of making music without any goals directly in mind. Not forcing the focus on my goals but focus on getting better. consistency is the name of the game, with anything but especially with learning a new skill. So I will just focus on constant work.

Just like I did with everything else. Just did not know it at the time.

Embracing imperfection

Perfection is something we all strive for, yet a lot of beauty can be found in imperfection. Perfection is a never ending story, and in pursuing perfection you can get paralyzed and not finish anything.

Finishing and letting go is one of the most important things in life, whether it is in life, work and art. At some point things are finished, as close to perfect as it can be at that moment in time. It deserves to be out there.

What is perfection anyway? Isn’t there always something to strife for? Sharpening your skills and growing into a better artist, person , or professional ?

Imperfection is a beautiful thing, just like happy accidents, or random occurrences. It’s everyday life. Embracing imperfection is embracing life. Everything needs an end, a finish.

Letting go of perfection is letting go of parts of uncertainty, self-doubt and insecurities. It takes more than striving for perfection and never releasing things.
The finish line will be pushed further everyday anyway, and releasing your art into the world will contribute to your growth as an artist in pursuit of the ultimate piece of art. Your perception of perfection, and once it’s there, you will find new goals and pursue your newly minted definition of perfection.

Which does not mean I am there yet, this just hot me when reading and studying psychological reactions on uncertainty, self-doubt and setting high standards for oneself. So I got to work on how I can release my own music faster and with less discomfort about my own skills and my own fight with perfection. And as I am writing this I am still a bit on the fence about the whole thing, while I know I need to do it to get things out there.

Practically this means setting certain deadlines for myself. Limiting the amount of time spent on a piece of art, resources and ideas I incorporate.

For example, and I will take a framework for music as I know this area better than let’s say writing a novel. Take just a few instruments , or even just one. Give yourself a framework in which you will finish the track. Tempo, length, genre maybe and set a limit , let’s say 14 days. Divide this 14 days into a few blocks. A few days for Sound design, recording, arranging, mixing and administrative tasks. Then after you have done all those things, release it. And don’t look back.

See if this framework needs any updates in it’s parameters. Adjust and move onto the next project. In this way you will learn to embrace imperfections and letting go. And you will learn a lot about your creative process as well. Above all you will learn too see the beauty in imperfection. And thus see the beauty in life.

Cultivating ideas and creative resources in music making

As soon as inspiration hits, you want to make sure the idea doesn’t evaporate into thin air. I have talked about working on your skills routinely which will lead to periods of inspiration and productiveness. Everything feels like its effortless.

Make no mistakes, this is the direct result of all the hard work and sharpening your skills. Showing up regularly and putting in the time. As with anything you will get better with practice.

A lot of ideas get left behind. You simply don’t have time finalizing all these great ideas. It therefore makes sense making notes and sketches of all these ideas in a way they form the future working stock. For all the days things don’t flow effortlessly.

There are a lot of ways of locking in ideas for future use. You can write them down, record them on your phone, sketch the essence. The most important thing is that you can remember the initial idea and work on it later on.

I have had a lot of failures in getting a structure set up for getting ideas down for future reference. I settled for pen & paper, advantages over digital forms are the physical actions and ingraining it in the brain.

But when reading it weeks or months later a lot of the time I could not make out what I originally set out to do. Not a big problem as it always has a starting point in it somewhere. But it kind of took away the enthusiasm.

So I opted for a format, a standardized way of writing ideas down and making sure I knew what I had set out to do. I start with giving the idea a title. Then I write down the concept, and the technical side of things. Which tools to use and how to use them. Then I set the length , speed and other characteristics of the song. Last but not least I draw the song in a time line fashion, breaks drops and other things.

In that way I have way more detail and I can work on the idea while writing it down. I can then do preparations and recording later on with more focus.

It has greatly helped my creative proces, as with anything, this way of doing things suits my personality and workflow. It’s just to give you an idea what might work. It took a while for me to get there, bit experimentation will get you there and is half the fun.

The music journey – Making an album (week 10)

This week has seen the continuation towards the slow return into making sound. In order to keep things simple and easy, I focussed my attention on one instrument. The Elektron Machinedrum. Which I have had for many years but never really dove into. It’s one of those machines that is a bit underrated in my opinion. Lot’s of people seem to get a bit overwhelmed with the workflow. And I must admit I had the same years ago when I bought it.

In light of my new way of doing things it felt right simply starting over with the Machinedrum from scratch. So I spent most of my time with the manual and YouTube learning the machine again. Which I must admit will stretch out in the weeks to come.

At first it’s still a bit daunting but once I got over the initial hurdle I got more into it (again). For me it’s a classic. But I need too point out I can’t use it as I did before, just going to it in periods. I need to really get stuck into this machine a little longer.

I am sure a lot will come out of the effort I am putting into the Machinedrum. If by any change you can get your hands on one, do it. It maybe a bit of a learning curve but it will pay off. It’s a very cool drummachine.

I have decided to stick it into my album setup. So it will be the main source of my drums in the project.

Learning the Machinedrum

I have a few starting points if you want to start learning the Machinedrum, first of all I need too point out the excellent Youtube series produced by Elektron when it came out, with MrDataline. Mr Dataline Machinedrum Tutorial part 1.

Just follow the whole series. Another great video on the Machinedrum is by Blush Response. Blush Response Elekron Machinedrum. Which is more on the industrial side sound wise in the video. But it gives a very good overview on the capabilities.

And just reading the manual with a nice cup of tea will get you there as well. There is also an alternative firmware which you can find here. I have not yet checked it out. But I might do that in the future.

Autechre has used the Machinedrum & Monomachine in their music and and some point shared the syses files. Information in this thread on the Elektronauts forum.

Recapping the week

All in all a nice week spent learning the Machinedrum, a bit of a mixed week in ways of progress on the album, but simply sitting with one machine and diving in has been really good. It opens up thinking creatively in another way and once you get more in-depth the ideas go further as well. Which is good for the overall project. It’s been a good week. On to the next.