Tag: Experimental music

The music journey – Making an album (week 21)

This week my time was mostly geared towards learning a small selection of modules I collected with the Morphagene as the center of the setup. Which was my study object of last week.

I put all the manuals in a single folder en started reading them. I am always surprised at the level of fun I have studying and thinking about how gear works. At the same time I am always disappointed how much time it takes me.

Another matter I am thinking about is what to do with my music once its finished. Do I try and find a label or do I self release. One doesn’t rule out the other , but at the moment I am leaning towards self releasing. Partly because it appeals too my tendency to control everything, partly because of an underlying fear of rejection.

A fear that is based on nothing as I never sent any music to a label and thus never got rejected. Rejection is also just part of life, but in the back of my mind that plays a role in my decision.

Either way it’s good to know the process of getting music released, so that once you get work released on a label you know the steps and at what point in the proces some extra attention is necessary.

It’s also nice to have a to do list ready in case the music making isn’t feasible. Another way of keeping myself occupied with music related work.

The music journey – Making an album (week 19)

This week was all about 1 Eurorack module, the MakeNoise Morphagene. A module based around samples (reels) which you can manipulate and have lots of fun experiments. It was an impuls buy in a way, I had been eyeing the Morphagene for some time and watched numerous YouTube videos, but managed to postpone purchasing it.

Until a moment of weakness arrived and I pushed the buy button. And found a world of sound design possibilities. I started learning this module a number of times, reading the manual & watching tutorials. But never really made a focussed project around it. Which led to me forgetting half or more of what I was learning.

It’s still fun just patching it, and using it and turning the knobs and finding interesting sounds. But I got the feeling I was stuck at the surface of what it can do. Time for taking a project approach. It will be the same as the Album project and the ideas I have for that. Just in a smaller scale and thus more manageable.

The Morphagene project

Goals in the project are, first of all learning to use the morphagene in depth, second goal is developing a Max MSP patch which modulates & sequences the Morphagene, This should result in a 3 track EP. This smaller specific project is an exact replica of my big Album project. But allows me too learn and get results. Without having the big picture in mind, and getting on in that workflow. Adapting and changing the workflow for the Album project as I go along.

Mostly my time was spent reading the manual, and sketching the functionalities of the Max patch. And finding a workable way documenting the project.

There was also some time left for simply patching and having fun with the Morphagene. Make Noise has a great ready to go system based around the Morphagene the  Tape & Microsound Music Machine which is also a great way to get into Eurorack. Might be a bit more specific and complicated than your standard 1 oscillator , envelope generator and filter starting point. It has all that functions , but it goes a bit deeper and geared towards working with samples.

The system in itself has the promise of a lifetime of experimentation and sounds design. As soon as I am done with the EP, I will make some of my work available as an Open source project on a GIT. To see what other people do with it.

This was a very productive week, hopefully next week will be as good as this one.

The music journey – Making an album (week 18)

Doing a fast forward like in a cassette deck like in the old days isn’t part of this journey. How frustrating it might be, my learning curve is what it is. I can’t speed it up or make my brain any faster. However there is a remedie to it, of sorts. Just carry on and persevere.

This week has seen it’s fait share of music activity. Mostly working with the modular & done some reading as well. My workflow is getting more and more of a final shape and proces. And thanks to limiting my setup I get more results out of my sessions. Simply because I know my way around it better.

I did however notice that I can’t always bring myself to not grabbing something else, another machine or more modules. Just because it gives me that extra bit of energy, or push my levels of fun. I love discovering new things and for me that’s a large part of the fun in making music. Discovering new and uncharted waters.

So I am having a bit of trouble committing myself fully to my new and smaller setup. I get lost in my Eurorack, or when patching in MAX MSP, despite the limitations I set before starting my sessions. Just because it’s easy to get distracted and it’s just loads of fun.

So it’s hard for me to maintain a balance in having fun and doing exactly as planned. It doesn’t matter how well I plan things, I am too easily distracted.

 

The music journey – Making an album (week 17)

Bit late with this post as I closing in on the end of week 18. Well sums up the delays in my music making journey I suppose. But week 17 has been a good week of the music front. I’ve been playing around with my Eurorack synth and recording most of it. Also spent some time working on making samples out of the results.

All in all I got to spend time making sounds, which was great. On the inspiration side of things its been a good week as well. Got some design books & magazines and had a nice chat with a designer on how to set intentions for your creative path.

It’s about setting the parameters of a project, or a session to set the tone or the direction of the desired result. Which can be as random as just sitting down and making sounds, or drawing random things, and hyper detailed and focussed tasks like sculpting the perfect kick drum from scratch.

It all has it’s function. And it can be utilized to break habits, periods of creative drought or simply to regain the fun in a project. Very interesting stuff.

The music journey – Making an album (week 14)

A bit late, forgot about updating this week completely. Another week has gone by pretty fast even this week has flown by as I am writing this while I should be writing about week 15 which is on its way. Anyway all is well and I have mostly spend my time with just one machine the Moog Mother-32.

Which is an awesome machine, instant fun and patchable as well, so it scratches that modular itch. Besides this machine I have been investing some more time in the Digitakt. Which I find very, very useful. I am in the process of making specific sample packs from my own recordings tailored towards use with the Digitakt.

It’s all about optimizing my workflow. And while practicing with single machines I tend to get ideas which would work for me in creating that effective and part elusive workflow.

So it’s been a good week, the amount of time spent on music wasn’t large but it was very focused and useful. As part of my day job I spent a lot of time in books and learning about designing systems. I am now reading a book which has nice quotes at the start of every chapter. This one is applicable on all creative professions (and pretty much everything in life to be fair).

“We should be taught not to wait for inspiration start a thing. Action always generates inspiration. Inspiration seldom generates action.”  – Frank Tibolt

Which is very true, by consistently working on something, ideas just generate sort of automatically.

I have also been listening to the new Album Spine by SØS Gunver Ryberg. Which is a beautiful one with very cool sound design and it sounds amazing. Go check it out if you didn’t already , here is the bandcamp page.

That is all for this week, hope to see you all next week !

The music journey – Making an album (week 13)

This week marks the return to making music. With a smaller setup consisting of a mono-synth, a drummachine and some effects. And Ableton Live. That’s it. The complete Eurorack system, however cool , just has too many options. I keep playing and adding stuff to a patch and don’t have enough time and energy to produce anything with the results.

I still use the eurorack, but limited the amount of modules. My choice for synth is the Moog Mother-32, a good sounding and versatile synth in itself. The effects are a Noise engineering distortion, Make Noise Morphagene & Eventide Starlab. Dor drums there is the Elektron Machinedrum. Which I am working on and still reading the manual.

The sessions with this setup give a peace of mind and focus when it comes to making choices.

The second thing this week was a homework assignment from my music coach. Working on the arrangement of a piece of music we made samples for in our previous session. And here I also struggle with choices and I have a hard time making decisions. Setting limits here also helps a lot. Coming week I will thinker some more with this song.

The week was a succes and the choice for less gear one which will benefit me going forward. I can now work on stuff with a brand new focus.

The music journey – Making an album (week 12)

This week was all about inspiration, I had a coaching session planned and I have been to a festival. And bought myself a musical gift. Even managed to put in a few music making hours as well. A modest but significant succes.

Coaching session

After a few weeks of cognitive problems and a general disfunctional brain this week I planned another session with my coach. It was very good catching up and talking about the creative proces. And what I can do in order to get to finish some music. Limitation being the magic word. Which I thought I had done when setting up the project. But as I got to work with the setup it became obvious that within that setup the options are still almost endless. To get going with a limited framwork we started an Ableton session with a few sounds and now I have to make a composition with just these sounds.

Pretty obvious, but I just could not bring myself to limit the options. I get lost in endless patching without pressing stop on the record button and get on with composition. And with that in mind I got to think about limiting my setup for this project further.

As such that I don’t get overly lost in the possibilities of the larger setup and keep exploring. More often than not I end up just making sounds without any tangible result. Also because my cognitive energy is all gone by the time I start thinking on composition. More on the smaller setup next week. A slight tip of the veil is the gift I bought myself, a Moog Mother-32. A synth voice in Eurorack format. Always wanted a Moog and now I finally got one.

Etmaal festival

Last Saturday I went to the day program of Etmaal festival, absolutely perfect for me, as it is during the day, it wasn’t overly crowded and ample opportunity and space for some recovering in between shows with some food & beverages.

Etmaal had a total of  32 hours and is focussend towards Electronic music with lots of space for performing with modular synthesizers and other unpredictlable musical instruments such as tape loops and so on.  In the night it was more geared towards dancing and during the day more experimental performances.

For me the day kicked off with a performance from Heinbach, who brought a tape machine and various other bits of kit and he changed the tape loops during the show, which for me seemed pretty risky. Very cool and interesting show with lots of beautiful moments coming out of the time & duration of the tape loops. If this was the case or not, perhaps the level of control was bigger, it delivers some very unique and beautiful music and sound timbres.

Time for a spot of lunch and after that it was time for  JakoJako feat. Alvin Collantes. A live performance with a modular synthesizer and a diner. A beautiful symbiotic performance in which the dance seemed controlled by the music. Cool seeing the levels of control a dancer has over their body and execute the movements with such fluidity. The tension on the body is very impressive to watch. The music was great as well. For me the highlight of the day.

A bit of a dash getting in time to the live show by  Rødhad & Vril live, this time not in the theater , but in a club setting. Very good show and for me very nice to see a performance by a duo which music I like too listen too. Very inspirational.

The final show of my day was  Dasha Rush & Schloss Mirabell. Really looking forward to this one, as I love the cello as an instrument and was very curious in the combination with electronics. For me it was the least accessible of the shows I had seen, musically. I couldn’t always keep up, which might have something to do with my mental fatigue at that stage of the day. Some very beautiful moments I got too experience and In other moments I was behind the curve a bit and had difficulty in understanding it (If you get what I mean)

A very cool day indeed and I finally got to see some of my favorite artists, it was a real present being able to go out and experience music again in this way. As most of these things tend to be in the evening or late at night. Hopefully more things appear during the day in such a setting.

The music journey – Making an album (week 11)

Another week flew by, and this week I didn’t do much in the way of working on the musical project that is making the album. My music hours were spent on reading manuals and listening to music. I amassed a fair backlog of music that needs listening or re-listening with focus & attention. I sometimes just listened parts of albums or didn’t really take my time for them. So this week it was all about the Elektron Digitakt & Autechre EPS 1991 -2002.

Elektron Digitakt

The Digitakt has long been on the wish list and I borrowed one for a while to check it out. After my Motu sound card stopped working I went on the search for a small sound card & got the idea to buy the Digitakt instead. It can also be used as a sound card after all. Very handy indeed.

I never dove into the manual as it works pretty intuitive, but after reading and diving into the Machinedrum last week I also started reading the manual for the Digitakt. And I must say, that’s not a bad idea. Especially the bit on the MIDI tracks which I never really use had some nice insights which triggered a lot of ideas for the combination with the modular & sequencing hardware samplers. I haven’t finished reading but I have months worth of ideas too explore.

I never really read any manuals before I got more or less forced into reading them and it’s simply highly recommended, you always learn something and pick up on interesting avenues for exploration.

Autechre EPS 1991 – 2002

I am a big Autechre enthusiast, and I am always trying too complete my collection. So when EPS 1991 – 2002 was released I bought it straight away. But never really listened to it as a whole. Partly because I have some of the EPS’s which are floating around my collection, somewhere. And I don’t have all of them. I have been listening to some of the EPS, but not from start to finish.

The beauty of this collection is you can listen too the development of Autechre’s music trough the years, from the more rave oriented tracks going towards the more abstract work. I really find it very nice how the music despite all the structural shapes retains it’s open and dynamic character. Every time I listen I hear different things or listen in a different way. It really helps sitting down for it and focus on listening. And not just put it on as background music. Although for me it works very well as background music while working. For people just starting out with Autechre and want a nice beginning of a collection this box is an excellent point to begin.

The week

The real work on the album wasn’t for me this week. I did however spent my allocated time for music on music related topics. Working on technical knowledge & inspiration. This keeps the momentum going which is important.

The music journey – Making an album (week 8)

Another week gone by, and this week not much happend in the way of music making. Still have problems with processing sound in my brain. So this week I had to shift my attention back to reading manuals and books on music.

Which is fine but overall progress in my album project is stalled at the moment. As this sort of periods go with the territory of my brain damage I started looking towards ways in which I can write or draw ideas down in a systematic way.

So I can still work on music without the sound. I already write down lots of ideas and draw as well. But my method keeps varying , then when I come back to an idea I can’t always figure things out. So it has to be via some sort of system that works quickly in use and I can recall easily after.

That isn’t as easy as it looks. My second option is working on non sound stuff , in comes Max MSP, which is lot’s of programming without sound necessary and has a systematic way of doing things because of the nature of the program.

I am not yet fluent with Max, but in the period I am currently having , working on Max & the system for writing down ideas is a good alternative to keep going.

The music journey – Making an album (week 6)

Week 6, quite a different week compared to the last few weeks. My brain wasn’t cooperating and I couldn’t stand sounds. Which makes working with music pretty difficult. It’s part of having brain damage so I had to make due. And try keeping busy in other ways.

First part of the week was mostly getting some extra rest in, and after that period I mostly been trying to read manuals. Albeit slow I stil got the feeling I was working on the project. And in a way this was the case.

Hopefully I have recovered enough into next week and I can start working on my music project according to plan.