The music journey – Making an album (week 11)

Another week flew by, and this week I didn’t do much in the way of working on the musical project that is making the album. My music hours were spent on reading manuals and listening to music. I amassed a fair backlog of music that needs listening or re-listening with focus & attention. I sometimes just listened parts of albums or didn’t really take my time for them. So this week it was all about the Elektron Digitakt & Autechre EPS 1991 -2002.

Elektron Digitakt

The Digitakt has long been on the wish list and I borrowed one for a while to check it out. After my Motu sound card stopped working I went on the search for a small sound card & got the idea to buy the Digitakt instead. It can also be used as a sound card after all. Very handy indeed.

I never dove into the manual as it works pretty intuitive, but after reading and diving into the Machinedrum last week I also started reading the manual for the Digitakt. And I must say, that’s not a bad idea. Especially the bit on the MIDI tracks which I never really use had some nice insights which triggered a lot of ideas for the combination with the modular & sequencing hardware samplers. I haven’t finished reading but I have months worth of ideas too explore.

I never really read any manuals before I got more or less forced into reading them and it’s simply highly recommended, you always learn something and pick up on interesting avenues for exploration.

Autechre EPS 1991 – 2002

I am a big Autechre enthusiast, and I am always trying too complete my collection. So when EPS 1991 – 2002 was released I bought it straight away. But never really listened to it as a whole. Partly because I have some of the EPS’s which are floating around my collection, somewhere. And I don’t have all of them. I have been listening to some of the EPS, but not from start to finish.

The beauty of this collection is you can listen too the development of Autechre’s music trough the years, from the more rave oriented tracks going towards the more abstract work. I really find it very nice how the music despite all the structural shapes retains it’s open and dynamic character. Every time I listen I hear different things or listen in a different way. It really helps sitting down for it and focus on listening. And not just put it on as background music. Although for me it works very well as background music while working. For people just starting out with Autechre and want a nice beginning of a collection this box is an excellent point to begin.

The week

The real work on the album wasn’t for me this week. I did however spent my allocated time for music on music related topics. Working on technical knowledge & inspiration. This keeps the momentum going which is important.

The music journey – Making an album (week 9)

Finally back making sounds, instead of just reading manual & books. Making sounds and noise is the fun bit really. Got a few short modular recordings in this week. Still very slow progress and my project is going to take much longer than I originally anticipated. Which I won’t let in the way of having fun. It’s about the journey after all.

In order to keep the structure and momentum going I am planning a few smaller projects along the way. Just making sure I release music while working on the bigger album project. Although I am still a bit reluctant putting stuff out there.

Every time I listen too someone else’s music I am thinking, that’s far better than my stuff. So I really need to get over this hurdle and start putting stuff out. Only things I am happy with off course , and I am not there yet. But I will.

Really missed the actual music making and really hoping I can get back into my rhythm and keep at it. Practice makes perfect after all.

As well as being back at making music, I also listened to some music. Amongst others the DJ Kicks mix by Andrea Parker, a very good mix in the outstanding series that DJ Kicks is. Released in 1998 and massively important for me in discovering unknown artists & music at the time. And the mix still holds up and sounds futuristic nowadays. Recommend listening.

In my planning I added a moment in my week for listening too an album, mix or a few EP’s for inspiration and enjoyment.

Onto a new week!

The music journey – Making an album (week 8)

Another week gone by, and this week not much happend in the way of music making. Still have problems with processing sound in my brain. So this week I had to shift my attention back to reading manuals and books on music.

Which is fine but overall progress in my album project is stalled at the moment. As this sort of periods go with the territory of my brain damage I started looking towards ways in which I can write or draw ideas down in a systematic way.

So I can still work on music without the sound. I already write down lots of ideas and draw as well. But my method keeps varying , then when I come back to an idea I can’t always figure things out. So it has to be via some sort of system that works quickly in use and I can recall easily after.

That isn’t as easy as it looks. My second option is working on non sound stuff , in comes Max MSP, which is lot’s of programming without sound necessary and has a systematic way of doing things because of the nature of the program.

I am not yet fluent with Max, but in the period I am currently having , working on Max & the system for writing down ideas is a good alternative to keep going.

The music journey – Making an album (week 7)

Week 7 is done, en another week with adaptions to my plan. Still some trouble with my brain damage so no music making activities this week. Mostly been reading about music theory and some manuals. Especially the book Electronic music and sound design volume one .

An absolute recommendation, It’s based around theory on the subjects sound design and Electronic music. Based around Max MSP patches to make it hands on. Every chapter starts with some theory on a subject and right after that you start working with that subject in Max and learning how to apply the concepts and theory within Max. At the start of each chapter there is an overview of the learning goals. Very handy indeed.

You can use the book to learn about specific subjects within sound design , syntheses and ways to edit sound. You don’t need to get into the Max parts to make good use of the book. The book is very convenient as a reference as well.

It’s very well written and all explanation is very clear. The book has a nice layout as well. I just started at the beginning and I am working my way through the book, learning Max MSP at the same time as learning about synthesis and sound design.

Another week without adhering too my original planning but still working on music, which is starting to become a habit , a routine. That’s very nice.

Onto next week.

The music journey – Making an album (week 6)

Week 6, quite a different week compared to the last few weeks. My brain wasn’t cooperating and I couldn’t stand sounds. Which makes working with music pretty difficult. It’s part of having brain damage so I had to make due. And try keeping busy in other ways.

First part of the week was mostly getting some extra rest in, and after that period I mostly been trying to read manuals. Albeit slow I stil got the feeling I was working on the project. And in a way this was the case.

Hopefully I have recovered enough into next week and I can start working on my music project according to plan.

The music journey – Making an album (week 5)

This week was a week of adapting to my possibilities, after being away for a little while most of the week was comprised of rest & recovery. Late Wednesday afternoon was the first moment in the week the energy levels were sufficient enough for my music activity.

So I got off course a bit.

Planning

My original planning consisted of the following:

      • Ableton Live & Samples.
      • Freeform patching with my Eurorack.
      • Reading manuals.
      • A coaching session.

Execution

My week started on Wednesday afternoon, just started working on a patch and pressed record. Without taking any notes and wondering about how to reproduce the results later on. Just recording some variations.

Practiced a little in taking samples out of the recordings and processing them. Not done a huge amount of work, but that’s all part of it. The good thing is I did some work and kept the consistency. Which gives a solid base and will yield results later on.

Got together with my coach for a session and the end of the week and got some new assignments in going around the fatigue which makes working with actual sound strenuous for me. Brain damage sets the pace in my case. Things I would never come up with, this alone makes having a coach worthwhile, on to next week.

The music journey – Making an album (week 4)

Another week done, this week I realized that my initial goal of making an album might be reaching too far for the timeframe I have at the moment. Especially given the learning curve I still have. Now I have the idea to take on a smaller project as an intermediate step.

This is one of the biggest benefits of having my coach as sparring partner, talking about ideas to keep the momentum and keep the process goals intact. Without getting distracted too much in pursuit of the bigger end goal. So this week I have invested time in learning Ableton and coming up with an idea for the smaller project.

The planning

planning was as follows :

      • Ableton Live & Samples.
      • Working on a standard patch.
      • Sketching the idea for the smaller project.
      • A coaching session.

Execution

First part of the week was working of the overflow of activities from the previous week. The standard patch is thought out and written down. I’m almost there on a method to write patch ideas down pretty fast and being able to perform them later.

Most of my time was spent on learning how to work with samples in Ableton.
I took my time on that so that cut into my music making hours. Just to get some extra milage on the learning objectives.

I have also come up with a few notes on how to put together a smaller in between project. To set me up for a good effort in going trough the whole process going from idea to finished project. Without it having to be a complete album.

Fun event this week was meeting up with my coach and another student at an event for a workshop and small live performance by my coach. We had some fun and interesting conversations as well. Thanks for the fun people ! It’s always fun to get out and meet people.

Max MSP project – The idea , a looper

In order to learn Max/MSP and give the proces more focus , I have opted for a simple idea. Making a Looper. Think the hardware loopers like the Boss RC-505 and more on the experimental side, the Soma Cosmos.

It’s a looper aimed at live use and jam sessions, with the Eurorack as the input. The sound source.

The Looper needs to take care of recording loops from the modular. In order to have more control about the end result and what you heard in a live set. Adding loops , editing then and adding effects to it.

The interface between the Eurorack and the computer is an Expert Sleepers ES-9. Which is an audio interface for Eurorack. It has 8 audio inputs. So the looper will be one with 8 channels. The looper will be a buffer between the Eurorack and the music coming out of the speakers.

I am starting with a basic patch and will expand on it as I learn more. I will divide the project into little steps so I can keep control. And don’t get list and get finished results.

I have found a number of YouTube video’s on making a looper, first order of business will be simply building these. And later on changing them and building the functionality I want in them. And then I will release the first version.

The first version will be the basis for all future additions and built out on this.

video list :

Dearjohnreed – Four track looper part one
Dearjohnreed – Four track looper part two
Dearjohnreed – Four track looper part three

Soria box – Loop pedal from Scratch

I will share it on my Github when I have my first version. This can be found here :

Cornerman – Github Max/MSP

 

Max MSP project – Open source and the learning curve.

For ages I have MAX/MSP by Cycling 74 installed om my machine and from time to time I am completely obsessed with the endless possibilities which exists in this space. For the ones not familiar with Max, it’s a developing tool for creating anything relating to producing music and integrating visuals. From synthesizers to art installation stuff. And everything in between.

And that’s exactly where my problem manifests itself, it’s just too much. However small I begin, I always get lost. Lost in my own brain to be more exact. And then I stop with pursuing and learning. I have not been able to let it go or start in a direction to try and really push it.

So the idea behind this series is to get more grip on my own learning proces and share everything I learn. I will post it on this blog and I will put stuff in a , yet to put up, GitHub page.

The ultimate goal is to build an interactive looper for live use. A looper which takes the input from my Eurorack synthesizer and takes that input and loops it. Which I can then further manipulate. I will share all my progress (or lack of) , and will share all my notes, first designs and the road when building the patch itself. And ultimately also the music that comes out of the proces.

That’s the main goal , every time I test the patch a series of recordings emerge. I will not share all of them, just the ones at the end of each stage. And that I think are worthwhile sharing.

This might result is a nice collection of useful notes on my own personal learning method, a nice max patch and enough music to compile an album with.

A big project indeed, but by working this way I hope to get into a rhythm and work on it more consistent. On all of it, learning, music and sharing.