Inspiration, where to get it and making sure you don’t forget it.

Besides the consistency of working on your craft, inspiration is another very important factor. Whatever your craft is, art, music or professions with a creative side to it, inspiration can help a long way in staying active and focussed.
Inspiration is the fuel to keep the consistent process going. For me at least. 

It’s just like any other form of training, there will be moments of difficulty, pain and discomfort. It’s all part of growing and sharpening your skills. Balance & rest is important to integrate, as your brain needs time to process and ingrain the result of your constant work. I plan deliberate rest moment, and make sure I plan short visits and trips to cities, exhibitions which I know will spark 

This is how I keep my energy levels up and find new energy and ideas for the future. 

My week & finding inspiration

This week I have worked mainly on learning Max MSP and I have been going outside in search of inspiration and ideas. Walking around a city and visiting musea does the trick. I try and look at things in detail and allow all sorts of random encounters. Step into buildings I don’t know, visit exhibitions which I want to see or stumble upon. And simply walking round a city and look at loads of things. 

But how do I make sure I know what inspired me and why, the feeling I got when watching a piece of art or seeing something cool while walking. I used to rely on my memory and tried and record it once I got home, but I soon realized I could not recall my feelings and what exactly inspired me or what idea a piece of art evoked.

Documenting the inspiration & ideas

I started out taking quick pictures with my phone and a note in my phone for writing down quick short sentences and ideas. Which I then forgot to bundle and be more specific. I worked on documenting the inspiration & a simple template to make it easier to recall the feeling and ideas I had when being struck with inspiration. Without having to scroll trough loads of digital notes and pictures and then try and remember everything. 

It’s pretty easy and it’s instinctively applicable for me. It suits my needs very well. 

I take pictures, on my phone or camera and mark them if possible, and notate the place, date and title or description of the artwork (if there was an artwork) or other object so I can find the related pictures. I add a few keywords that give a good description of what the inspiration was. I stick to 4 keywords. Which helps when I search for things later on.

I write a short story about the moment, the inspiration and the surroundings.  If I have an idea on the spot or later on I also make sure to write it in my notes.

As a template this would look like this:

    • Date 
    • Time
    • Place 
    • Title 
    • Title of the artwork (if there is any)
    • Pictures
    • keywords
    • Short Story
    • Idea it sparked (if any)

I prefer writing in a notebook, and I use notebooks where I can easily add page numbers and so on, I also give my notebooks a number and a name. 

for searching into these notes I notate the keywords, the notebook number, and the page numbers into a simple excel sheet. So I can always find the ideas. 

Why is it important to me? Well it’s a big part of playing around and putting myself into situations and places which can spark any form of inspiration and ideas. Which leads to a backlog of things I can develop further.  There is no pressure when simply walking around and looking at things. It also develops my knowledge of art and architecture in a simple and effortless way. It’s a way to take a brake without breaking the creative consistency when I can’t work on my skills or need a break. It’s an alternative way to be creative without the sole focus on music.  

It’s also important to make it a habit, getting outside and reconnect with art and life which for me, is the energy for my creative process. In my process there is always room for finding inspiration, this doesn’t have to mean I go outside, it can also mean just picking up an art book, reading a biography or flicking trough photo books. But I prefer going outside. 

By making this a fixture in my creative process I keep engaged with the outside world and have an alternative whenever I can’t work on music specifically. This way I keep working on my creative process and keep the consistency going. 

First week with the small setup & new process focussed mindset

Working with my small setup has advantages, After spending a week working with it on a consistent basis. It’s easier to get going and I am far less distracted. My first idea was to work on a patch for a few days, then record loops and then finish a track, all  within a week and build a catalog of work that way.

This timeline was a bit over enthusiastic, as I am with a lot of my planning. But given the focus and shift from goals towards the process of working on my skills, I am still happy with my progress this week.

I have also build in a learning and education bit into the process. So I am studying Max MSP again. Which is great fun and pretty difficult. But it’s very promising as I have tons of ideas already for merging Eurorack with Max MSP and building a set of tools for it.

I need to focus on the proces first. And not jump on and trying to get all these ideas out as fast as possible. I have to leave the pressure out of the equation.

I do pencil my ideas down in my notebooks, and work on them by working them out in the notebooks. So I keep working on ideas while doing the work. It easy to dream away and imagine great goals ahead and try to reach them as fast as possible and burn yourself out. It’s hard to focus on the small incremental gains and work on your skillset. At least for me. 

Showing up is half the work, or battle. But it’s hard and not easy at all. At least for me. Just twiddling knobs and enjoying the hobby is nice, but doesn’t get me towards my goals. There is playtime reserved into the process, don’t worry there is fun to be had. But I also  need to choose the harder path. In the end it will be more fore filling and rewarding.

Let’s see what this week brings. 

Simple creative tasks, consistent.

Last week In talked about simplifying my setup and designing a proces to be more consistent. This article is more about the proces and why it works. While I am learning to use my music gear I have also set some small tasks to keep things interesting and work on finishing stuff. I do well when I set goals for myself. My biggest flaw in setting these goals in making them way too big. Where my goals far outstripped my skillset.

So I have decided to simplify my goals, or rather just make tasks out of them. so for each week I have set the following goals. With my simple set-up, I will try and finish these tasks every week. You can’t really call the results tracks maybe, but I will try my best to keep it as interesting as possible. within the parameters I have set for myself.

The main goal is learning to be fluent with my simple setup and be able to work on ideas at a faster pace. Science shows that in order to keep yourself engaged the things you need to do to make progress is to have a difficulty sweet spot. If something is too easy, you will disengage. If it’s too hard, you will also disengage. It’s human nature.  There is a side note to this, more on that later. 

Creating habits is all about doing something consistently and keep doing it. To be better at making music, I need to be making music. Taking into account it should not be too easy or too hard my tasks should be just about doable. 

So I will learn and keep having fun and feel excited. Everyone has big goals, but if it’s way too hard we can’t form the habits necessary for achieving them. Last week an already shared some idea around a set of steps to achieve this. 

Here is my slightly refined taks list.

1. Create a patch on my small eurorack setup
2. Record loops while playing the patch
3. Take a maximum of 8 loops in the Ableton template.
4. Arrange and finish the recordings. 
5. Publish the results.

By sharing them I have also set a nice little reminder for myself to publish things consistently, so people can give me feedback and get over my fear of sharing my musical experiments. 

The side note is that every process has boring parts that are necessary to get better. So this means we also need some tolerance for boredom. So if something gets boring at any stage, we tend to go and look for something exciting and new.

The key difference in being successful in getting better at your skill and creating habits is that you embrace the boredom which ultimately creeps into everything. Some stuff just needs doing. No matter what. It’s all part of the process. People who succeed in showing up when feeling bored, or tired or any state that doesn’t fill you with enthusiasm to go to work, people who still show up, succeed. 

It’s a bit of a balancing act, creating habits and paving the way towards your goal and being able to consistently work on your goals. The mantra “Don’t break the chain” is a simple way to remind yourself to stick to the plan. If you don’t feel like doing music, go to the gym or any other task you planned. Just remind yourself and repeat this mantra a few times to yourself. It will help to reaffirm your commitment to the proces, and the habit you are developing and maintaining. 

Last but not least, we also need to evaluate, learn and make things a bit harder again at some point. So we can work on improvement with some new challenges. 

Consistency has helped me with achieving other goals in life, so now it’s time to make it work for my musical journey. 

A simple setup, more focus

Some time ago I have decided to take a smaller set of instruments to make my music with. The bigger the setup, the more problems I have making decisions. It might be fun to know what I have chosen to work with. First choice, an old samper, the Emu ESI 4000. Floppy disks operated. Who still knows what these things are?

A drummachine, The under appreciated  Elektron Machine drum and a small selection of eurorack modules and a sequencer. The eurorack is basically a single voice mono synth and a reverb.

To record and arrange everything I have made an Ableton template with 8 tracks with some effects, which I will not change. This gives me some sound design options after recording.

The simple idea is, I design a patch, make loops in the sampler, record them in Ableton and divide them over a maximum of 8 tracks. Then I will try and make something interesting with it. I will take a fixed amount of days to try and make a track out of it. Whether it is a finished product or not, I will publish the result.

That last thing might seen a bit strange, but if I don’t publish it, I will not get used to sharing things. When I write a blog I have no problem of hitting the publish button. I might get over my fear of sharing my music this wat.

Quantity over quality

One of the things I doubt is the quality of my creative output. Whether it’s my writing, my pictures or my writing skills, I often have doubts about the quality of the work. Especially with my music, and the main reason I almost never share anything.

I really want to change this. I strive for perfection in everything and while pursuing perfection I often trow away ideas or keep tweaking to find it. For some reason I am more easy going in other areas, like writing. Probably because I feel I am somewhat better at it which makes it easier for me to share.

Society teaches us that everything must be ‘perfect’, what this ‘perfect’ is nobody tells you. And while striving for perfection a lot of good ideas are lost and the art of experimentation is lost.

Science teaches us something else. If you want to be good at something, you need to practice a lot. You increase your skills by doing and while doing you learn from your mistakes. By sharing your work you give others the opportunity to give feedback, which is another opportunity to learn.

In Japan it’s very normal to accept the beauty of imperfection, wabi-sabi, the acceptance and transience of imperfection. In art it’s often described as ‘imperfect beauty’ or ‘flawed beauty’ it emphasizes the process of making a piece of art resulting in an art piece that is ultimately incomplete.

We don’t have this in western cultures, which is a real shame. Our need for perfection puts the break on our output. Or as Voltaire said it “the best is the enemy of the good”. Things don’t have to be perfect. In life and especially in all forms of creative output perfection is a debatable concept.

So why do I struggle so much with sharing my music? I think it is because music is very valuable to me. I have so much great memories attached to music. and music has gotten me through some hard times that all my musical output seems pale in comparison, will it ever be good enough to evoke any emotion?

This sounds a bit heavy but that’s how I feel about it. I need to let this feeling go and start sharing my creations. Even if it’s just a loop or an unfinished piece of music. Striving for perfection is something I need to let go and focus on improving by making a lot of stuff. Quantity over quality, in order to improve my skills and let go of my fear of sharing. The quality will come over time.

Consistency is key, don’t keep focussing on goals.

Music making is an art, and behind any great art there is a lot of skill. So instead of focussing on the art and my goals I have to focus on developing my skills. Whether it be mastering an instrument of choice or knowing how to operate any part of the music making process.

Having goal is something I need, and while I am excellent at making a plan and working towards this goal, my lack of focus on my musical skillsets has set me back in achieving these goals.

I forgot how important it is to be fluent at something. I have always compared my music making process with developing solutions, whether it be in software or writing a proposal or technical design for something.

All the while forgetting the amount of time spent doing it and improving my skills by simply doing it. Not having any big goals. When I started out learning how to program, I just spent hours trying to get something to work. At some point writing becomes second nature and when you have come up with the solution to a problem. Writing about the solution and creating the end product become much easier.

Most of the time spent isn’t learning a language, but finding the right path towards a solution.

My music making process should be the same, I have an idea and figure out which of the tools I need, or just fire up some instruments and simply start writing anything. And see what comes out of it. Which I do for fun as well with programming or anything else. Just doing it to get something going.

The problem I face with my musical endeavors is that I don’t nearly have as much hours of doing music as I have done with any of my other skills.

So it’s time to start and simply work on learning the skill of making music without any goals directly in mind. Not forcing the focus on my goals but focus on getting better. consistency is the name of the game, with anything but especially with learning a new skill. So I will just focus on constant work. 

Just like I did with everything else. Just did not know it at the time.

Less is more

The larger the setup the more options I have. Which I absolutely love. However this also has a time implication, more of my limited time and energy will go into setting up and learning how to use it. I have tried to use a limited set of tools before which quickly escalated into much larger setups.

I am not very good in keeping a small setup and focussing on just that setup. Which is a bit weird as my discipline is pretty good. I can keep to my planning. I suppose this is because I love my toys. I am like a little kid in a toy store which is allowed to play with anything. And this does not yield any result. Just a lot of unfinished sketches.

So this time I absolutely need to keep my setup small and learn it inside out. which will be my focus the coming month. I keep my timelines a bit wider as last time I got frustrated with not achieving my goals. In retrospect I had too many things I wanted to get done in too little time.

This time that has to change. There is a lot to do which will take time. That’s just how it is.

Forced break from music & blogging

It has been a while, due to some unforeseen issues with my brain damage resulting in a intolerance for sound I had to step away from music, and blogging fell to the side as well. They’re just wasn’t enough I wanted to talk about or get out there.

Brain damage is a fickle partner to live with. No matter how hard you work at maintaining your balance, sometimes out of nowhere problems arise. And you never know when they end and how long the good streak lasts.

In order to maintain some rhythm of work going I read more and got my exercise up. Mostly this leads to improvements on the long run. I am currently on the way back and try and listen to music and went out to the cinema for some non action movies on downtimes.

I have also written down lots of ideas which I can incorporate into my music. Which will be soon I hope.

Music gear favorites – Elektron Machinedrum

I really like musical gear, and I must admit I buy stuff too frequently and don’t take enough time to get into the newly acquired tools. Sometimes I postpone buying things for a long time due to the fact I am well aware of this behavior.

I have always wanted a Elektron Machinedrum since it’s release back in , it was an expensive machine and looked pretty complicated to me. So it was easier leaving it alone a.k.a. not buying it.

Around 2016 or thereabouts there was a moment you could buy it at a discounted price from Elektron as it was going out of production. That was the moment I snapped one up.

Then it pretty much disappeared in a cupboard after my initial attempts at getting aquatinted with it. I simply didn’t get it. The thing I was afraid of in the first place. Every once in a while I got it out and forced myself learning the machine. And at some point it started to make sense, very slow and with intervals.

Now I regularly get it out and learn more about working with it. I think its an underrated drummachine and the range of sounds you can get out of it is vast. Also the Elektron sequencer adds to the versatility of the machine and range of options.

It should be on everyones wish list just like the classic drummachines like the 808 & 909. Why ? Because the whole machine was a totally different take on drum synthesis and sequencing drummachines which was not done before. If this would’ve appeared at the time of the 808 & 909 it would result in bringing it’s own landmark stamp on music, just like those classis machines.

We all too often compare alle drummachines after those 2 classis which gave birth to electro , house & techno and shaped dance music for decades. But this machine deserves being viewed as an dare I say independent machine with its own purpose in making futuristic music.

I think it’s time for the Machinedrum to take a more central role as the drummachine to shape future sounds. It’s very capable of doing this.

Embracing imperfection

Perfection is something we all strive for, yet a lot of beauty can be found in imperfection. Perfection is a never ending story, and in pursuing perfection you can get paralyzed and not finish anything.

Finishing and letting go is one of the most important things in life, whether it is in life, work and art. At some point things are finished, as close to perfect as it can be at that moment in time. It deserves to be out there.

What is perfection anyway? Isn’t there always something to strife for? Sharpening your skills and growing into a better artist, person , or professional ?

Imperfection is a beautiful thing, just like happy accidents, or random occurrences. It’s everyday life. Embracing imperfection is embracing life. Everything needs an end, a finish.

Letting go of perfection is letting go of parts of uncertainty, self-doubt and insecurities. It takes more than striving for perfection and never releasing things.
The finish line will be pushed further everyday anyway, and releasing your art into the world will contribute to your growth as an artist in pursuit of the ultimate piece of art. Your perception of perfection, and once it’s there, you will find new goals and pursue your newly minted definition of perfection.

Which does not mean I am there yet, this just hot me when reading and studying psychological reactions on uncertainty, self-doubt and setting high standards for oneself. So I got to work on how I can release my own music faster and with less discomfort about my own skills and my own fight with perfection. And as I am writing this I am still a bit on the fence about the whole thing, while I know I need to do it to get things out there.

Practically this means setting certain deadlines for myself. Limiting the amount of time spent on a piece of art, resources and ideas I incorporate.

For example, and I will take a framework for music as I know this area better than let’s say writing a novel. Take just a few instruments , or even just one. Give yourself a framework in which you will finish the track. Tempo, length, genre maybe and set a limit , let’s say 14 days. Divide this 14 days into a few blocks. A few days for Sound design, recording, arranging, mixing and administrative tasks. Then after you have done all those things, release it. And don’t look back.

See if this framework needs any updates in it’s parameters. Adjust and move onto the next project. In this way you will learn to embrace imperfections and letting go. And you will learn a lot about your creative process as well. Above all you will learn too see the beauty in imperfection. And thus see the beauty in life.