This time about the label Planet core productions and it’s sub labels. Which were many, they released a lot of records. Some absolute rubbish, others classics to this day.
It was based in Frankfurt and run by Marc Acardipane. He also made a lot of the tracks, as did Miro. The label started in the early 90’s and ran up until 2000/2001 I think.
It was mostly known as a hardcore label by many. But they mixed all sorts of styles , trance and techno influences were very common. My first purchase and one of the best releases i think was
PCP 935 Future. I bought it sealed and didn’t open it straight away when I got home. At first I didn’t like it at all, to be honest. But after a few listening sessions it quickly became one of most played records, although at that time I didn’t own that many.
The label had other sublabels, Dance Ecstasy 2001, Coldrush , Super Special Corp, Kotzaak to name a few of the most well known. At first they were sold in just a few record stores and a lot of people found the tracks a bit to forward thinking, a few dance floor hits like , later when slaves to the rave became a monster hit in the hardcore/gabber world, people started looking at the label. Making it harder for me to be on time and being able to buy the latest. Therefore I missed a few. Thank god for Discogs.
A few very cool releases are The Mover The Final Sickness, Reign Hall , Rave creator a new mind part I & II, Miro Purple moon and many more. Pretty much all of the releases on Cold rush records are excellent. Check it out if you get the change. Even if you are not really into the harder styles. It’s worth it.
When I first got into music around the time Hip-hop was pretty big, and besides that the first wave of house music was there, and at some point the styles began to shift. One one hand there was the mellow sound, more house/club style music. And the harder stuff, originated from the harder Techno records. This developed very fast in a very unique sound originating from The Netherlands. Starting out of Rotterdam, the Gabber sound, later dubbed hardcore, was becoming popular fast.
The fast, aggressive sound was right up my ally, so I started buying records from labels such as Ruffneck, PCP (which was one of the best labels in my opinion, more on this later), Rotterdam records, Mokum records, etc etc later I really got into the Italian stuff and Industrial strength records.
One day It was a bit busy and I started to browse in some of the more obscure corners of the shop, and found this section of bloody fist records. I got a few out and waited for one of the turntables. I really wasn’t into the terror style as to my idea most of them just pushed up the tempo with not much else. This was different, loads of cool samples, breakbeats and crazy sounds.
The records all sounded nice and gritty as well. Tracks like Shaftman and later 21% by Template where a more experimental view on Gabber. Most records had became more party oriented and based around a build up. Less experimentation and more formula. Which made it boring, at least for me. Bloody fist records was the first label I checked out that offered more experimentation. Off course they were around since the early nineties as well, I just was late.
Most of the earlier releases I missed, but I got hold of a few later on. The label stopped in 2004 , just a few years after I discovered it. It triggered a search for more experimental gabber besides other more experimental music I was getting into. It also made me record more music myself which was a good thing as well. The Bloody fist website is still there and be sure to check the Discogs website for all the releases, most of them are on youtube, be sure to check it out.