The music journey – Making an album (week 29,30) the final report

Running behind is never fun, and whilst it has been fun keeping tabs om my ambitious plan on making an album this will be my last post in this form. I think I have written all there is about my ups & downs learning to use my musical equipment and subsequently produce an album. Which was a bit too ambitious in hindsight. The project will go on and one day the album will be finished.

But as I have said before, aiming high will get you places you don’t get too otherwise. And this is true. The end result is not here yet, but the work ethic & proces is. And moreover its a sustainable rhythm. I keep having problems some weeks with my cognitive energy and imbalance. That’s something I have to deal with on a daily basis no matter what I do.

It has been annoying at times, but this project gave me another thing keeping me busy for the long term, hopefully a lifetime. However fun hobby’s are, molding those hobby’s into projects makes them way more valuable. In experience, in learning and in focus. Hard things are enjoyable. And you can have fun doing it.

So I have 2 modes at the moment, working on my projects, and leisure time. The first category consist of hobby’s molded into projects, whether it be in music, sports or other ventures. The second consists of walking about, reading books , casual listening, visiting people & places.

That distinction makes it easier to plan, and get ideas out. It takes the work out of work and the procrastination out of the hobby’s. It might not work for everyone, but I am sure that if you find a few things in life you love doing, doing it with a bit more focus and working towards goals it’s will be indefinitely more rewarding.

In other words, you will never work a day in the rest of your life. This whole process has given me the insight in what I can do, aspire to, and dream about. It has set the stage for continuous work on my own terms and on my own pace.

In a nutshell this is what I learned to do, and these steps will help anyone wanting to get a hobby or any other pasion project further. So here is a list.

    • Plan your time consistently.
    • Plan 3 or more sessions a week , at a minimin 3.
    • Don’t overdo it in hours , you can only work with a high focus for so long.
    • Write down all ideas. Take 3 at a time for further development.
    • Divide sessions into playtime, learning, and finishing work.
    • Aim high , you might not make it to the perceived goals, but you get further with it then if you aim for easily achievable goals.
    • Always focus on the next step, don’t make the steps too big (that creates frustration in case of the lack of succes).
    • Trust the proces and more importantly yourself.
    • Be strikt not hard on yourself.
    • Yes, showing up (consistently) is half the work.
    • Take breaks and celebrate the little victories.
    • Have fun, and focus.
    • Keep a diary, it will help put things into perspective.
    • And last but not least, record everything.

Just some things I learned, lot’s of them are obvious, the most important thing is keep working at your craft, build knowledge, make it a habit. It will not seem like much progress at first. But it all adds up.

This was it for this series. I will continue writing music related blogs on a weekly basis and will go deeper into workflow, techniques, and time managent in future episodes. I am still figuring out the form factor but I will get started right away.

Thanks for reading so far and see you soon!

The music journey – Making an album (week 22)

This week I have been jamming with a small setup and researching how I can get the most out of it. I have also had the recorder running so the tapes are there. I have planned another two weeks ahead with more of these jam sessions. So I am consistently making music. And get my focus back on the main event, making music. Hopefully my brain can keep up with it.

Another topic that I have been working on some more is figuring out the possibilities regarding releasing the music. For me the easiest, well not exactly easy but most comfortable way is to see release it. Getting stuff out there via a few platforms so I don’t get lost and see if I can create a constant schedule in releasing my music. Let’s see how I get on at first, I can always expand later.

Visuals are increasingly important as a way of getting music out there, especially with things like Youtube which are a source of new music for lots of people. In my original plan for my album project I had come up with the idea to integrate Touchdesigner for the visual component. And the fun bit about this is you can connect it to MAX MSP. I am now figuring out how I can incorporate this into my patches and generate a nice visual to go with my music.

A very good week, but I still fall into the pitfall of loosing my focus. As everything is fun and the joy I get out of researching stuff. But I feel I return to my original idea much quicker than I used too. So that’s a win. Now all I need to do is finishing music, and find the confidence to release it.

The music journey – Making an album (week 12)

This week was all about inspiration, I had a coaching session planned and I have been to a festival. And bought myself a musical gift. Even managed to put in a few music making hours as well. A modest but significant succes.

Coaching session

After a few weeks of cognitive problems and a general disfunctional brain this week I planned another session with my coach. It was very good catching up and talking about the creative proces. And what I can do in order to get to finish some music. Limitation being the magic word. Which I thought I had done when setting up the project. But as I got to work with the setup it became obvious that within that setup the options are still almost endless. To get going with a limited framwork we started an Ableton session with a few sounds and now I have to make a composition with just these sounds.

Pretty obvious, but I just could not bring myself to limit the options. I get lost in endless patching without pressing stop on the record button and get on with composition. And with that in mind I got to think about limiting my setup for this project further.

As such that I don’t get overly lost in the possibilities of the larger setup and keep exploring. More often than not I end up just making sounds without any tangible result. Also because my cognitive energy is all gone by the time I start thinking on composition. More on the smaller setup next week. A slight tip of the veil is the gift I bought myself, a Moog Mother-32. A synth voice in Eurorack format. Always wanted a Moog and now I finally got one.

Etmaal festival

Last Saturday I went to the day program of Etmaal festival, absolutely perfect for me, as it is during the day, it wasn’t overly crowded and ample opportunity and space for some recovering in between shows with some food & beverages.

Etmaal had a total of  32 hours and is focussend towards Electronic music with lots of space for performing with modular synthesizers and other unpredictlable musical instruments such as tape loops and so on.  In the night it was more geared towards dancing and during the day more experimental performances.

For me the day kicked off with a performance from Heinbach, who brought a tape machine and various other bits of kit and he changed the tape loops during the show, which for me seemed pretty risky. Very cool and interesting show with lots of beautiful moments coming out of the time & duration of the tape loops. If this was the case or not, perhaps the level of control was bigger, it delivers some very unique and beautiful music and sound timbres.

Time for a spot of lunch and after that it was time for  JakoJako feat. Alvin Collantes. A live performance with a modular synthesizer and a diner. A beautiful symbiotic performance in which the dance seemed controlled by the music. Cool seeing the levels of control a dancer has over their body and execute the movements with such fluidity. The tension on the body is very impressive to watch. The music was great as well. For me the highlight of the day.

A bit of a dash getting in time to the live show by  Rødhad & Vril live, this time not in the theater , but in a club setting. Very good show and for me very nice to see a performance by a duo which music I like too listen too. Very inspirational.

The final show of my day was  Dasha Rush & Schloss Mirabell. Really looking forward to this one, as I love the cello as an instrument and was very curious in the combination with electronics. For me it was the least accessible of the shows I had seen, musically. I couldn’t always keep up, which might have something to do with my mental fatigue at that stage of the day. Some very beautiful moments I got too experience and In other moments I was behind the curve a bit and had difficulty in understanding it (If you get what I mean)

A very cool day indeed and I finally got to see some of my favorite artists, it was a real present being able to go out and experience music again in this way. As most of these things tend to be in the evening or late at night. Hopefully more things appear during the day in such a setting.

The music journey – Making an album (week 11)

Another week flew by, and this week I didn’t do much in the way of working on the musical project that is making the album. My music hours were spent on reading manuals and listening to music. I amassed a fair backlog of music that needs listening or re-listening with focus & attention. I sometimes just listened parts of albums or didn’t really take my time for them. So this week it was all about the Elektron Digitakt & Autechre EPS 1991 -2002.

Elektron Digitakt

The Digitakt has long been on the wish list and I borrowed one for a while to check it out. After my Motu sound card stopped working I went on the search for a small sound card & got the idea to buy the Digitakt instead. It can also be used as a sound card after all. Very handy indeed.

I never dove into the manual as it works pretty intuitive, but after reading and diving into the Machinedrum last week I also started reading the manual for the Digitakt. And I must say, that’s not a bad idea. Especially the bit on the MIDI tracks which I never really use had some nice insights which triggered a lot of ideas for the combination with the modular & sequencing hardware samplers. I haven’t finished reading but I have months worth of ideas too explore.

I never really read any manuals before I got more or less forced into reading them and it’s simply highly recommended, you always learn something and pick up on interesting avenues for exploration.

Autechre EPS 1991 – 2002

I am a big Autechre enthusiast, and I am always trying too complete my collection. So when EPS 1991 – 2002 was released I bought it straight away. But never really listened to it as a whole. Partly because I have some of the EPS’s which are floating around my collection, somewhere. And I don’t have all of them. I have been listening to some of the EPS, but not from start to finish.

The beauty of this collection is you can listen too the development of Autechre’s music trough the years, from the more rave oriented tracks going towards the more abstract work. I really find it very nice how the music despite all the structural shapes retains it’s open and dynamic character. Every time I listen I hear different things or listen in a different way. It really helps sitting down for it and focus on listening. And not just put it on as background music. Although for me it works very well as background music while working. For people just starting out with Autechre and want a nice beginning of a collection this box is an excellent point to begin.

The week

The real work on the album wasn’t for me this week. I did however spent my allocated time for music on music related topics. Working on technical knowledge & inspiration. This keeps the momentum going which is important.